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  1. #1
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    Too Good To Get Away: The Velvelettes/YOU CAN'T GET AWAY

    Written by Wm. 'Mickey' Stevenson & Wm. Henry Weatherspoon

    http://www.youtube.com/watch?v=RPArYINLYiY

    Many thanks to GurlGroops for this YouTube posting.

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    It was too much like a Martha song....the ladies knew it wouldn't be released as a 45 because of that.

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    OH! So THAT'S why they sang "Nowhere to Run" during their UK show, is it..?"!! ..LOLOL

  4. #4
    supremester Guest
    Wow - Quicksand anyone? It's a good enough record but not exactly original

  5. #5
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    Supremester - I think you're right!--some QUICKSAND does seem to be grabbing hold. But I think CAN'T is still awfully good on its own. Hadn't heard it before and it completely surprised me. But as Tbfxt also mentioned, it does sound more like a M&TV tune than The Velvelettes. Wonder if M&TV ever recorded it.

    P.S. Also thought it sounded a bit like The Butlers' SHE TRIED TO KISS ME [[ALL I COULD DO WAS RUN):

    http://www.youtube.com/watch?v=MgEp8ukEPOE
    Last edited by Methuselah2; 05-10-2014 at 06:33 PM.

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    Butlers was a new one on me. It is similar. Good oen Methuselah2...you're teaching an old dog new tricks here!

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    As I always say, too: "Arf! Arf!"

  8. #8
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    Are all Velvelettes tracks out of the vaults? I know there's an unreleased Roostertail show, but wasn't sure if there were anymore. I thought heard they recorded "That's The Night The Love Died." HDH cut "When The Lovelight Starts Shining In His Eyes" on them in 1965 or 1966, but I don't know if vocals were recorded.

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    Yes and no

    Yes the songs are out there which were found

    No as there are still some alternate versions of songs now issued.

    The 2 tracks you mention were allocated to the Velvelettes but vocals were not found. Cal also recalls other possible tracks but they weren't found either. The Vandellas He Doesn't Love Her Anymore is a song Cal sung at a dinner table in Cleethorpes - I was gobsmacked that she could recall the lyrics so well.

    The second CD would not have been half empty had it not been for the inclusion of a live show and I chose the Battle concert as it was a turning point for them at Motown. That friendly Battle with the Supremes where the auience favoured the Velvelettes in front of Mr Gordy and Smokey Robinson elevated their status among the girl groups. Sadly, it was short lived because one track that they rejected [[as did the Marveletttes) turned out to be a major hit for the Supremes. Where Did Our Love Go took the Supremes to the top in all respects.

  10. #10
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    Quote Originally Posted by theboyfromxtown View Post
    It was too much like a Martha song....the ladies knew it wouldn't be released as a 45 because of that.
    It's a great song nonetheless and one of my favs from the Velvelettes. I can listen to that song forever and a day!
    Last edited by no_place_like_motown; 05-11-2014 at 02:24 PM.

  11. #11
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    P.S. Also thought it sounded a bit like The Butlers' SHE TRIED TO KISS ME [[ALL I COULD DO WAS RUN):

    http://www.youtube.com/watch?v=MgEp8ukEPOE[/QUOTE]

    Great find, Meth! Never heard that song before. Hmmm...Philly loved Martha & The Vandellas - here's "The 81" by Candy & The Kisses.

    http://www.youtube.com/watch?v=Vie8XxjpmMU

  12. #12
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    I love The Velvelettes as much as anyone else but I glad that song was not released as a
    single considering the backlash some Martha Reeves fan[[atic)s would have unleashed on
    dear Cal and the girls. That has to be one of the most recycled beats and chord voicings in
    70's popular music. As far as Martha's group is concerned, more than a few girl and
    predominately girl groups fell under the spell of their sound. Even the Orlons at one point.
    Berry Gordy was vey lucky to be able to amass the talent his company did, even if he didn't
    fully appreciate them or respect them....

  13. #13
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    Nplm - Love THE 81. But I've always wondered how HDH feel about it--i.e., IN MY LONELY ROOM.

  14. #14
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    Splanky - You make several really insightful points. Everyone was incorporating sounds from each other and other companies. Even HDH early on used Spector's Wall of Sound in WHEN THE LOVELIGHT, HEATWAVE, QUICKSAND, TOO HURT TO CRY, and so forth. Seems like whatever was working was fair game to jump on and use. Up to a point.

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