For me the "out of tune and off key" style is precisely the charm and appeal of this early Doo-Wop to Soul era. The lesser-known artists and groups were real people from down the street, unaffected by stardom, and free of slick production gadgetry to make them sound better. I suppose Soul Sister is right--you had to "be there" at the time and hear the groups grow and evolve. Check out this early tune from The Intruders. [[brace yourself for the ending Kamasu
http://www.youtube.com/watch?v=8p9DdT0foTI
Compare that song to "I Wanna Know Your Name" from a decade later.
http://youtube.com/watch?v=cFh-nkRxzos
Much more sophisticated production-wise, yet Little Sonny still threatens to go off key at any moment, lol. He even flubs the lyrics, "...I'll drop you at the hou...the doorstep" [[I LOVE that Gamble & Huff had the wisdom not to 'fix' it). By the end of the 70s, the "Quiet Storm" era ushered in synthesizers and superstars like Whitney Houston and Luther Vandross to a broader audience [[and market). The voices and production were perfect. Too perfect for me.
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