[REMOVE ADS]




Results 1 to 11 of 11
  1. #1
    Join Date
    Aug 2010
    Posts
    3,111
    Rep Power
    240

    Ross / favorite era

    Just curious with Diana having had such a long career, do you have a favorite era or time frame.
    Mine would be
    1.64-67
    2.76-81

    My fav Ross albums,
    Dr 76
    Baby it's me
    Boss
    Diana

  2. #2
    Join Date
    Jun 2018
    Posts
    1,254
    Rep Power
    164
    Quote Originally Posted by daviddh View Post
    Just curious with Diana having had such a long career, do you have a favorite era or time frame.
    Mine would be
    1.64-67
    2.76-81

    My fav Ross albums,
    Dr 76
    Baby it's me
    Boss
    Diana
    Your favorites [eras & albums] are exactly the same as mine!

  3. #3
    Join Date
    Jun 2016
    Posts
    601
    Rep Power
    137
    79-80 was the highlight for me.

    And then, sadly, it all went downhill.

  4. #4
    Join Date
    Aug 2010
    Posts
    1,276
    Rep Power
    269
    Vocally, her output around the the early 70s focusing on her 1973 Touch Me in the Morning and the Diana & Marvin album. Her voice is so rich sounding on each.

  5. #5
    Join Date
    Mar 2017
    Posts
    8,741
    Rep Power
    552
    As a Supreme, it would be 62-67. As a solo, it's hard for me to pin it down because of the pros and cons. For me, I love the period when Diana was just a pure singer, when her voice was the centerpiece, not all the razzle dazzle, from 70-75. Unfortunately, she didn't do much TV during that time. On the other hand, from 76-81, her stage show was on fire and she was in fantastic voice. She also did quite a bit of TV. But even though she sounded absolutely fantastic, IMO her voice took a backseat to all the frills and thrills of the show productions. The focus became "wow, look at her" vs "wow, listen to her".

    That's the best way I can describe my favorite Ross eras. Lol

  6. #6
    Join Date
    Apr 2013
    Posts
    160
    Rep Power
    154
    Quote Originally Posted by RanRan79 View Post
    As a Supreme, it would be 62-67. As a solo, it's hard for me to pin it down because of the pros and cons. For me, I love the period when Diana was just a pure singer, when her voice was the centerpiece, not all the razzle dazzle, from 70-75. Unfortunately, she didn't do much TV during that time. On the other hand, from 76-81, her stage show was on fire and she was in fantastic voice. She also did quite a bit of TV. But even though she sounded absolutely fantastic, IMO her voice took a backseat to all the frills and thrills of the show productions. The focus became "wow, look at her" vs "wow, listen to her".

    That's the best way I can describe my favorite Ross eras. Lol
    Understand what you're saying about the Ross early solo years. I thought maybe it was my being nostalgic but you pointing out the change in her persona as superstar status descended and maybe that's it as well. I just have fondness for those first 3 solo albums. But as you say not much touring. But her supper shows at the Empire room blew me away. Like this thread though!

  7. #7
    64 - 68
    70 - 71
    77 - 79

    After she left Motown I did like quite a few singles but no albums.

  8. #8
    Join Date
    Mar 2013
    Posts
    5,038
    Rep Power
    397
    63 to 81 were all brilliant in different ways. As already mentioned, after that the singing took a backseat to other elements of the show.

  9. #9
    Join Date
    Aug 2010
    Posts
    8,864
    Rep Power
    397
    yeah i definitely see things as blocks or "eras"

    pre-64: Diana's voice definitely has a youthfulness to it. there's less control, partly because she often had to sing in a much higher register. she is singing like and as a teenager

    64 - early 66: this is Diana's "college years" lol she still has a youthfulness but there's more control. often she's using her lower range

    66 - 67: this is really where i think Diana's artistry starts to shine. her lead on YCHL is a major change. her voice is more mature, deeper [[both in tone and sound). there's more substance, especially as she went into the R&H material

    68 - 69: this is a continuation of the last phase. the maturity is just expanding even more so

    70 - 72: early solo voice. she's taking more risks, experimenting more, pushing herself. but she still had lots of elements of "diana ross, former Supreme"

    73: she now has a much more jazz influenced approach to music, combined with motherhood. the impact of her time exploring Lady just simply can't be measured. it was such a major milestone

    remainder of the 70s: i don't know if i really hear her change all that much through the rest of the decade, in terms of a major shift in things. she's really just settling more and more into "DIANA ROSS" with it peaking with The Boss sessions. i think that's the most alive and invigorated she has ever sounded on record. she's now singing really as a woman empowered

    80s: this is hard to really categorize as much of the music was sub-par, especially her own productions.

    90s: she's no longer youthful or an ingenue but now a mature woman, a Grande Dame so to speak.

  10. #10
    Join Date
    Mar 2013
    Posts
    5,038
    Rep Power
    397
    Quote Originally Posted by sup_fan View Post
    yeah i definitely see things as blocks or "eras"

    pre-64: Diana's voice definitely has a youthfulness to it. there's less control, partly because she often had to sing in a much higher register. she is singing like and as a teenager

    64 - early 66: this is Diana's "college years" lol she still has a youthfulness but there's more control. often she's using her lower range

    66 - 67: this is really where i think Diana's artistry starts to shine. her lead on YCHL is a major change. her voice is more mature, deeper [[both in tone and sound). there's more substance, especially as she went into the R&H material

    68 - 69: this is a continuation of the last phase. the maturity is just expanding even more so

    70 - 72: early solo voice. she's taking more risks, experimenting more, pushing herself. but she still had lots of elements of "diana ross, former Supreme"

    73: she now has a much more jazz influenced approach to music, combined with motherhood. the impact of her time exploring Lady just simply can't be measured. it was such a major milestone

    remainder of the 70s: i don't know if i really hear her change all that much through the rest of the decade, in terms of a major shift in things. she's really just settling more and more into "DIANA ROSS" with it peaking with The Boss sessions. i think that's the most alive and invigorated she has ever sounded on record. she's now singing really as a woman empowered

    80s: this is hard to really categorize as much of the music was sub-par, especially her own productions.

    90s: she's no longer youthful or an ingenue but now a mature woman, a Grande Dame so to speak.
    A good breakdown sup.

  11. #11
    Join Date
    May 2016
    Posts
    828
    Rep Power
    112
    She became a much better, sincere interpreter when she took control of her own destiny, starting in 79.

Bookmarks

Posting Permissions

  • You may not post new threads
  • You may not post replies
  • You may not post attachments
  • You may not edit your posts
  •  

[REMOVE ADS]

Ralph Terrana
MODERATOR

Welcome to Soulful Detroit! Kindly Consider Turning Off Your Ad BlockingX
Soulful Detroit is a free service that relies on revenue from ad display [regrettably] and donations. We notice that you are using an ad-blocking program that prevents us from earning revenue during your visit.
Ads are REMOVED for Members who donate to Soulful Detroit. [You must be logged in for ads to disappear]
DONATE HERE »
And have Ads removed.