Due to the high volume of content, the year 1972 is being divided into three threads. This is Part II. May -August.
Billboard’s Hot 100/ Top 40
Chart #19
May 6, 1972
previously on Motown and Billboard's Hot 100/ Top 40 :
Number of singles reviewed this week: 116 [Last week: 70]
Including:
Marvin Gaye - YOU'RE THE MAN [pt. I]
The Four Tops - I CAN'T QUIT YOUR LOVE
The Jackson Family. That's Motown this week in a nutshell. Two of Motown's three Top 40 hits are theirs, while the third, by Gladys Knight, peaks modestly . Michael going solo, has the highest performing release, in the Top Five, and The Jackson Five, as a group, are advancing upward with a bullet. The rest of the Motown singles are surviving but not thriving. The Supremes are this week's glimmer of hope with a quick return to the Hot 100, their second charter under Smokey Robinson, with BAD WEATHER which seems at odds as a title for a summertime release. One single drops off so once again the label has six titles.
Top 10:
A major shift within the Top 10, no repeaters except at the very top, now in her 4th week at #1 is Roberta Flack, the thirty-five year old former school teacher who was one of the youngest students to attend Howard University with a musical scholarship at age 15. Now 20 years later and through a long struggle, seemingly overnight Flack is the music industry's hottest sensation.
THE FIRST TIME EVER I SAW YOUR FACE has blocked Michael Jackson from reaching the top, after two weeks of trying from the #2 position, ROCKIN' ROBIN now dips to #4. This gives Joe Tex a chance for the pinnacle as I GOTCHA is now #2 from #3. Right behind him, The Stylistics press upward to #3 from #4 with BETCHA BY GOLLY WOW. Aretha also moves up one, she's DAYDREAMING at #5, making the Top 5 comprised of records that are also charting soul. As is this week's strongest Top 10 entry, I'LL TAKE YOU THERE by the Staple Singers who make a huge leap from #18 to #7. One other song also breaks through, BACK OFF BOOGALOO by Ringo Starr, with just a nudge up from #11 putting him in the Top 10 at #10. Two are out : IN THE RAIN by The Dramatics from #7 to #15 and Sonny and Cher's A COWBOYS WORK is apparently done, peaking last week at #8 and now it tumbles way down to #18.
Top 40:
Motown:
ROCKIN' ROBIN - Michael Jackson #4 down 2 from #2, its plateau.
HELP ME MAKE IT THROUGH THE NIGHT - Gladys Knight and the Pips stalling: #33 again at #33.
^ LITTLE BITTY PRETTY ONE - Jackson Five #26 up 6 from #32
No drop offs from Motown
Biggest mover on the chart, eleven spots:
I'LL TAKE YOU THERE - Staple Singers #7 from #18
Five new records, mixed bag, two newbies, all American save Rolling Stones
Highest Debut:
TUMBLING DICE - Rolling Stones #23 up 27 from # 50 [21st Top 40 Hit]
I SAW THE LIGHT - Todd Rundgren #31 up 25 from #56 [2nd Top 40 hit]
WALKING IN THE RAIN WITH THE ONE I LOVE - Love Unlimited #36 up 5 from #41 [*first time artist]
SYLVIA'S MOTHER - Dr. Hook and the Medicine Show #37 up 7 from # 44 [*first time artist]
DIARY - Bread -#40 up 11 from # 51 - [8th Top 40 hit]
The Hot 100:
{new: songs Top 10 bound will be coded in green, songs bound for #1 will be coded in purple}
Red: indicates a Motown Release
Orange: indicates a release related to Motown , by proxy.
12 new records , many by major names, but not their most notables.
Highest debut:
#67 - SONG SUNG BLUE - Neil Diamond
#72 - SOMEDAY NEVER COMES - Credence Clearwater Revival
#77 - AUTOMATICALLY SUNSHINE - Supremes
#80 - ROCKET MAN - Elton John
#82 - HOT 'N HASTY - Humble pie
#83 - LIFE & BREADTH - Climax
#87 - I CAN'T TURN YOU LOOSE - Edgar Winter and White Trash
#90 - IMMIGRATION MAN - Graham Nash & David Crosby
#94 - WOMAN'S GOTTA HAVE IT - Bobby Womack
#97 - AN AMERICAN TRILOGY - Elvis Presley
#98 - I GOT SOME HELP I DON'T NEED - B. B. King
#100 - THERE IT IS - James Brown
Motown:
1st Week:- AUTOMATICALLY SUNSHINE - Supremes - #77 - DEBUT
5th Week: - WHAT'D I SAY - Rare Earth - #63 down 2 from #61
6th Week: - ^WALK IN THE NIGHT - Jr. Walker -#53 up 4 from #59
drop offs:
4th Week: - TAOS NEW MEXICO - R. Dean Taylor - off from #83
Of Toronto Canada origins, this is Taylor's last appearance on the Hot 100. He'll be a Motown one-hit wonder with INDIANA WANTS ME peaking at #2 in 1970. R. Dean's writing credits include shared billing on The Supremes #1 hit, LOVE CHILD from 1968.
*****
A very good week for:
SLIPPIN' INTO DARKNESS [of the night]
while Aretha is DAY DREAMING at #5, it is week 16 [night 112] for the War single and it is still battling its way up the chart, up two more this week to #20 with a bullet. Meanwhile three records have 'NIGHT' in their titles, two are from Motown: [LAST NIGHT] I DIDN'T GET TO SLEEP AT ALL - by the Fifth Dimension is at #28 moving up 8 from #36, with Gladys Knight and the Pips' cover of the Kris Kristofferson song HELP ME MAKE IT THROUGH THE NIGHT [former #1 for three weeks on the country chart by Sammi Smith] is at #33, #13 peak Soul and Top 10 peak UK:
and Jr. Walker's WALK IN THE NIGHT - at #53, #10 peak Soul , and #16 peak UK:
Coincidentally both these titles were arranged by H.B. Barnum, who is now becoming more involved at Motown after much work at Invictus/Hot Wax.
.
A suitable follow-up from the Top 40 might be
MORNING HAS BROKEN by Cat Stevens #19 up 2 from #21.
*****
MGM Records has a full page ad this week that reads:
Petula Clark makes her label debut with a remake of the Smokey Robinson written hit for Mary Wells which went to #1 on the Hot 100 eight years prior in 1964, making Wells Motown's first successful female act .MGM
WELCOMES
PETULA CLARK WITH HER SINGLE OF
"MY GUY" K14392
WATCH for PETULA CLARK on the JOHNNY CARSON SHOW,
MONDAY night, MAY 8th, Singing her new single " MY GUY."
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