I think executives like Neil Bogart and David Geffen would have requested more input into Diana's recordings for their labels. I recall reading how Geffen actually canned Donna Summer's intended second album for his label because he wasn't pleased with it and then enlisted Quincy Jones to produce a new one for her.
I believe Clive Davis would have done the same. But in 1981, Clive had both Aretha and Dionne to keep on the charts. It might have been too much to add another diva to his list.
I don't think RCA had that type of figurehead on deck. And at that point, creative control probably wasn't something Diana wanted to give up. I think she might have even been quoted as saying as much around this time.
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