I did say the Temptations and the Four Tops helped to make Motown 25 a hit... I'm just saying, the aforementioned ones made it legendary [[MJ/Marvin). But yeah the Tempts/Four Tops definitely were a huge highlight to the show.
I did say the Temptations and the Four Tops helped to make Motown 25 a hit... I'm just saying, the aforementioned ones made it legendary [[MJ/Marvin). But yeah the Tempts/Four Tops definitely were a huge highlight to the show.
I think one of the reasons why so many of the early artists were left out was due to Suzanne de Passe’s lack of connection to them. She joined Motown in 1968 and probably didn’t know who was at the label prior to her or had limited contact with early artists who were still at the label when she joined.
I’m not sure I buy de Passe’s reasoning that NBC didn’t want a TV special with all black artists so that’s why she included Adam Ant, Linda Ronstadt, etc. NBC did TCB and GIT 15 years prior and those were far more racially tense times.
That's not an excuse. There were plenty enough of us watching on television that did not work for Motown at all, but not only knew of the missing artists, but respected them and enjoyed their music. She was just being her usual nasty self. Then turned around and tried to profit from what was suppose to be a charity event. Later for her..........
No, Suzanne DePasse was not a teenager, she was 22 years old when she joined Motown in 1968. She was friends with Cindy Birdsong. It was Cindy who introduced Suzanne to Berry Gordy in NYC. You remember how she treated Cindy later on in the 70s when Cindy was down on her luck and needed a job,right?
Last edited by marv2; 10-10-2018 at 02:43 PM.
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