As the' Detroit City Limits': -
Cheers
Paul
As the' Detroit City Limits': -
Cheers
Paul
And the first track here: -
Now all I need to do is find 'Ain't Nothing Like the Real Thing' which was also on the L.P.
Cheers
Paul
Now, I'm intrigued by this. Listened to these and a few more on YouTube and they're pretty good. How many/which Funk Brothers were involved in this? I don't think I've ever heard of a group called the Detroit City Limits. Judging by the track coverage and sound, I would say this is from late 1968 or 1969.
MIke Terry is involved. How come it's not in my collection! lol
thanks for discovering these
They are great
edafan
I am trying to figure out why these were recorded? Were they commercially released as instrumentals in the sixties or were they recorded for a music service?
Marv empty your mail box.
The Funk Bros. definitely should've put out instrumental albums and not just albums where they had to use a pseudonym. No one knew of a Funk Brothers until Marvin mentioned them in the What's Going On liner notes... dammit Berry lol
Glad you all enjoyed these tracks.
Hope this gets issued on CD one day!
Cheers
Paul
Not previously familiar with this incarnation of Funk Brothers recordings, nor have I ever had a discussion on these particular tracks with any Funk Brothers, the guys who made up The Funk Brothers and many Motown musicians participated in numerous outside recordings, both at Motown and elsewhere, although BG never wanted to feature them as he needed their skills as backup musicians full time. One notable project featuring Funk Brothers and the Motown string section was a collaboration called The San Remo Golden Strings which actually charted a couple of recordings and were released on Motown, Golden World, and Ric-Tic...I believe Hungry For Love was their most successful effort.
The San Remo Golden Strings!
Well Gordon Staples had some good gigs, as concertmaster with the DSO, his Motown work conducting the string section, and other recording and commercial production sessions around town. He was a pretty good musician/businessman. Most of the other musicians...just session work for union scale...
Another thing I found quite amusing was seeing some of these old eastern European orchestra musicians headed to Motown for sessions. I recall seeing my old high school orchestra director, Josef Kertez waiting at a bus stop in his old fashioned suit, viola in hand, headed to Motown for a session LOL...
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