The Eagles caught lip syncing their live shows
In the video, he does a computer analysis of Don Henley’s “live” vocal to demonstrate it is not live. In fact, it was recorded in a studio to sound live. Don Henley has been using this exact same vocal recording for years in his concerts.
I can only imagine how many other older artists are doing the same.
Recently uncovered Marvin Gaye demos
I haven't heard anything since and wondered if anyone here has an update about progress to release them etc. I recall that ownership etc would need to be ascertained as a starter.
It would certainly be great to hear some new Marvin music.
Thanks.
Gladys Knight "The Nitty Gritty" Mixing Error???
It came on my iPod today at the gym and reminded me that about 1 minute into the song the drum fades out...and stays out for over a minute. I have always wondered if this was a mixing error by Whitfield or was he trying to augment the horns and guitars here. It's on both the stereo and mono mixes.
Anybody else pick up on this?
More magic from THOM BELL
There are many comments from the late Thom Bell in my review of a tribute CD -
https://www.soulexpress.net/thombell2024cd.htm
...and not only from Thom, but also from some of the Spinners, Deniece Williams, Jerry Butler and Preston Glass.
Best regards
Heikki
The forgotten duet by legends Kenny Gamble and Thom Bell
They are among the most successful soul music producers and songwriters in history. The story of Philadelphia soul music could simply not be written without Kenny Gamble and Thom Bell, two-thirds of the “Mighty Three” that were responsible for the rise of the lush, elegant soul and dance music that emanated from the City of Brotherly Love in the 1970s and 80s.
But before their glorious run as hitmakers for such legendary acts as The O’Jays, The Spinners, Patti LaBelle, Harold Melvin & The Blue Notes, The Stylistics and more, Gamble and Bell were teenage friends who were struggling to make a name for themselves in the nascent Philly soul community – a struggle compounded by the structural racism in the local music scene.
And while pianist Bell was seeking his fame as a musician, Gamble was committed to establishing himself as a singer. And so the songwriting duo took a run as a vocal duo, recording their 1962 composition “I’ll Get By” as Kenny & Tommy, and releasing it to the Philly radio community.
Read the full article here;
SoulTracks Lost Gem: The forgotten duet by legends Kenny Gamble and Thom Bell | SoulTracks - Soul Music Biographies, News and Reviews
BBC Radio 1960's
This all changed when the pirate radio stns set up off-shore of England. They had little or no space & no money, so live musician sessions weren't a possibility for them. So vinyl ruled 100% of the time & with US black music being the hip thing, they played the US versions not the UK cover.
The BBC eventually adapted [[by creating RADIO ONE, etc) but it took them a few years.
HOWEVER, with R&B being the in-genre, all the top UK acts were soon playing R&B / soul ... so when they were asked to do a live BBC radio session, it wasn't only their own tunes that they played ...
More magic from THOM BELL
Yesterday, 02:07 PM in Soulful Detroit Forum