No doubt. But there's something so innocent about those early covers, like the Mary Wells "Bye Bye Baby" with the letter on it, or the one of her in the silhouette under the lamp post on "The One Who Really Loves You," "Cookin' with the Miracles," those early "concept covers" are so evocative of a much more innocent time, to use a cliche.
You know the picture on the cover of the "Twistin' Postman" pic sleeve must have been drawn by the same artist [[okay, hold back on the sarcasm please) as this one, don't you think? It's so similar looking.
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