Wonderful information DW many thanks. Re the track "Quit Playing With Me" [[Fuqua/King/Foreman) I can`t find any other song by this trio but Harvey Fuqua and Isabella Foreman did pen "The Children`s Christmas Song" for DRATS.
Printable View
Wonderful information DW many thanks. Re the track "Quit Playing With Me" [[Fuqua/King/Foreman) I can`t find any other song by this trio but Harvey Fuqua and Isabella Foreman did pen "The Children`s Christmas Song" for DRATS.
Amazing archive, thanks a lot DW for sharing all of this, I have a lot of acetates and unissued tracks went through all of the tracks, the "Quit Playing With Me" I don't have.
Thanks again.
I'm assuming since he was slotted with both Maurice and Cholly that Marvin probably did his act from top to bottom multiple times.
Marvin's Copa engagement was in August of 1966. However, I do recall Berry telling the story of a nightclub act [[in San Francisco?) that Marvin pulled together with the guys. He wouldn't let Berry know what was going on and Berry didn't see the act until opening night. It turned out to be an act that was heavy on standards and very few of his hits. Berry was not pleased. Perhaps it was this engagement that they were rehearsing for.
Wow Reese, that's great information! Now we have the connection of these pieces to the puzzle.
Darin
I've concluded this is likely a set list for a Jimmy Ruffin show that Maurice was doing arrangements for:
1. Get Ready
2. If You Let Me
3. [[What Becomes Of The) Broken Hearted
4. You Gave Me Love
5. I'll Say Farewell [[Baby Come Back lined out)
6. Let The Sunshine In
7. I've Passed This Way [[Before)
8. [[Gonna) Give Her All The Love [[I've Got)
9. [[Maria) Farewell) Is A Lonely Sound
10. Finale Day Tripper
Attachment 20220
Maurice worked with Gladys Knight and the Pips relatively early on in their career and continued on into his later years. These are the earliest Pips items from the archive. Coral records evidently offered them a contract in late 1957, unfortunately they are no longer present, only the letter and envelope.
Attachment 20221
Reese mentioned above that "Ching Chong" was The Pips first recording. Below are songwriters contracts for three compositions including "Ching Chong", "Realing And Rocking" and "Tell Me You Love Me" with writer credits to Richard Hunter, Maurice and The Pips. Bob Thiele from Coral Records is mentioned in the letter from Robert Mellin dated November 27, 1957 so must be something was in the works at the time that possibly fell through. If anyone knows please let me know!
Attachment 20222
Attachment 20223
Attachment 20224
Attachment 20225
Attachment 20226
There are quite a few scores for Gladys Knight and the Pips songs, the majority from the post-Motown period when Maurice worked with the group. Below is an itinerary from Oct-Dec 1973.
Attachment 20227
There is a lot of music material from Maurice's days at the Flame, as well as other Detroit landmarks such as the Fox Theatre.
Attachment 20228
Maurice was in partnership evidently with Cornelius Grant with a venture called "The New Horizon" in the late 1970's. I emailed Mr. Grant asking for any information on the partnership over a year ago and never received a reply. Maybe he was suspicious of someone questioning this out of the blue.....If anyone on the forum knows, please enlighten us.
Attachment 20229
Here are four blank musician contracts for the services of 7 musicians at $330 total signed by Leonard Chess.
Attachment 20230
Hey Roger! I think you likely confused the actual songwriter name, Freeman, with the name listed on this mystery song--Foreman. In another thread in the DRATS forum last month, Children's Christmas Song was being discussed and I think it was determined at that time that Isabelle Freeman was the wife of LA arranger/conductor Ernie Freeman [or maybe it was Ernie writing under his wife's name due to contractual issues? Maybe?]. Anyway, the names [Foreman/Freeman] are close, so I can totally understand confusing the two.
Isn't this thread by DWSheffer A-M-A-Z-I-N-G?! It's literally peeking into a cool treasure trove of stuff we'd normally never get to see!
I assume this is a short speech Maurice may have given presenting Richard Street to an audience somewhere, which obviously references the Grammy winning Temptations song "Papa Was A Rollin' Stone". Maurice's composition for "Papa" is 15 pages long. We all know Paul Riser won a Grammy for his arrangement of the song as the Best R&B Instrumental of 1973.
Attachment 20231
Attachment 20232
A couple blank recording studio contracts from D.M.D. Recording Co. in Ann Arbor, MI and V.R. Recording in Dearborn Heights, MI.
Attachment 20233
My biggest hope was I would find some Supremes nuggets in the boxes. Unfortunately there weren't any rehearsal tapes with the ladies or any specific paperwork referencing the Supremes. There was one reel that was labeled Supremes, but unfortunately they were not on the tape contained in the box. At any rate, these are the only items I could possibly tie to being in the room during a rehearsal between Maurice and the Supremes. I would almost bet these pieces of sheet music were used by Mr. King in the rehearsals with the girls. [[On most all the tapes I have it's just Maurice on the piano coaching the artist's vocals.) There is also a handwritten arrangement started for "You're Nobody" which we all know the story surrounding Diana's "love" for that tune initially! :p
Attachment 20234
Attachment 20235
Two more compositions, for the Detroit Emeralds "You Want It You Got It", as well as a solo David Ruffin piece "Yesterday Medley".
Attachment 20236
Another composition for "Try It Baby" for The Temptations Show TV special in 1969.
Attachment 20237
What a treasure! Thank you so much for sharing. Duke is looking pretty sharp and you look much younger than I anticipated to have such an interest and collection. After I cook dinner I'll take a leisurely look. I love Motown, but especially The Temptations. My goal is to visit the Motown Museum this Spring or Summer. Thanks again.
I believe I'm now at the end of posting the most interesting items from the archive. I left my favorite find for last. When I acquired these items, it was a jumbled mixed up mess of totes full of papers. You would look through a pile, and in between each composition as items from different eras of Maurice's life were mixed together. When I found the grouping below I was extremely happy. I had posed a question to the forum at the time, but didn't reveal why until now.
https://soulfuldetroit.com/showthrea...s+singing+rain
I still do not know what this piece was created for. Maurice combined "Singing In The Rain" and "Rain" into this "Rain Medley" written for The Temptations. As you can see, the original sheet music for "Rain" belonged to Cholly Atkins.....we'll assume Maurice just borrowed it, haha!
I was beyond excited when I found the rehearsal lyric sheets signed and notated by David Ruffin, Melvin, I know the one is Otis' handwriting, as well as Maurice's notes. This was the most special and personal connection to the Motown inner workings I found in the archive, besides the reel to reel tapes which are in a category of their own!
I do hope everyone has enjoyed seeing the highlights of the Maurice King archive!
Darin
Attachment 20238
Attachment 20239
Here is David's copy:
Attachment 20240
Melvin's copy:
Attachment 20241
Otis' copy:
Attachment 20242
I believe this one was Paul's copy:
Attachment 20243
This one I'm not certain who it was used by:
Attachment 20244
Thanks for sharing your collection. Any idea what you might do with it all? Do you think that the Motown Museum might be interested in some of this material?
I have it separated between the Motown items, and the pre and post Motown eras of Maurice's career. I do plan on ultimately offering all of my Motown collection to the Motown Museum, if they are interested and have a proper place to house it. I briefly chatted with Robin Terry about this at Duke's book signing in May. I maybe wrong, but I doubt they will want the bulk of the King material. I've considered donating that to a number of other museums in Detroit/Michigan.
Hi Dan, You
Hi Dan , I`m sorry I messed up and thanks for the correction. I`ve made up lists of all the composers what they wrote and who sang them and I stuffed up on this one - I`ll amend it. Yes we are indebted to DWSheffer for sharing this wonderful paperwork with us. Just imagine what Berry Gordy is holding on to!
Hi!
This is an interesting thread.
Please find a photo of "Ching Chong" below:
https://www.soulexpress.net/deep1_2014.htm#gladys
Best regards
Heikki
excellent work...very interesting.
Hi Darin My name is Ted Vaillant I am a big band leader in Thunder Bay Ontario [[north of Duluth MN
I am intrieged by this Maurice King collection. I know that prior to his days at Motown he was the musical director of an all girl big band called THe International Sweethearts of Rhythm. I am planning a concert saluting women in jazz and am looking for any of the chafts mr King wrote for this band. Here are some titles Maybe they are in your collection.
Galvanizing
THat man of Mine
Dont get twisted
shes crazy with the heat
vi vigor
diggin dykes
i know its a long shot but are any of titles in the collection?
ted
Hi Ted,
The bulk of the charts are earlier material. I can't say right off if any of these titles are in the boxes of thousands that I have. I would surmise though that there are definitely examples from this era. I don't know what sort of timeframe you're working on but if I had time I might be able to do a general search.
Darin
wow that quite kind of you...probably anything with labeled "The International Sweethearts of Rhythm" would be great but the real kickers would be original composed charts by Mr King. Even if our band could one number at our Women in Jazz show it would be special...our show is scheduled for early March but anytime would be great. Thanks Again
Ted in Canada
Wow, Darin! Congrats on a truly fantastic haul! I'm especially impressed by those reel-to-reel recordings. It's especially exciting knowing that those reels were being recorded in the background at Motown while the rest of us were simultaneously falling in love with Motown from hundreds of miles away.
"I'm new here"...
I've been working on a career retrospective of Tamiko Jones. I just wanted to thank you for posting the Morris King contract. It's the earliest record of Tamiko in Detroit apart from a listing for a November 1961 as "Timiko" and on the bill that night at the Flame showbar was also Maurice King.
So the December signing would make perfect sense. What is interesting is she was using the family name Jones. Her mother had separated with Barbara's father by 1950 and was back living with Barbara's grandfather, the census shows them as Furgeson. Tamiko was born 1943, not 45 as listed everywhere.
++Mark.
https://ctproduced.com
If I remember correctly, Tamiko Jones married John E Abbey of Blues & Soul magazine.