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I pulled out my i hear a symphony expanded 2 cd set and meant t post how wonderful it is to hear t alternate track of mwiewu with mary snd flos bcg vocals turned up the way t record should have been released in 1966. T released version sounds like a diana ross solo record. The only complaint about t alternate is that t vocals of m f are repeated 7 times at t conclusion a little overkill, after three repeats t mixing would have sufficed but its a great and more plessing track to my ears.
Fran there was a clip on Youtube on the song with the backing vocals turned up. I will see if I can find it.Quote:
Originally Posted by franjoy56
You reminded me of something about those "buried" background vocals on MWIEWU. I wonder if there was so fallout from the fans about that because the other night I was listening to the Supremes' Sing Holland-Dozier-Holland album and it struck me how the background vocals were fairly prominent throughout that LP. I hadn't thought much about it until recently. Now your post reminded me of that. I do remember wondering why those bg's were so low when I first heard MWIEWU.Quote:
Originally Posted by franjoy56
Here we are :
https://www.youtube.com/watch?v=feHnogCOT90
Listening to this song now all these years later, it was rather sophisticated. There was a lot going on in it.
Strange, but there was a version they played on local radio when this record came out and you could hear the backgrounds just fine ,but when you played it from the album at home, the backgrounds were turned down very low.Quote:
Originally Posted by WaitingWatchingLookingForAChance
Marv, I wonder if it was because radio stations were using some sort of compressors in the audio chain. I'm not really all that technical, but I'm a musician and a buddy told me about getting a compressor effects pedal and using it on my recordings. It's incredible what compression will do. If I crank up the levels on my effects pedal and play a song through it, it will sort of "level" things out so that whatever is the loudest in the mix recedes a bit while whatever is a bit lower in the mix will come more to the fore. I actually took the Four Tops "Yesterday's Dreams" cd and dubbed it onto another cd using the compressor and there were tunes where I was hearing things much clearer than I had before. On the song "Can't Seem To Get You Out Of My Mind" the backgrounds became much more audible. Maybe that's what you were experiencing when you heard "My World" on the radio.Quote:
Originally Posted by marv2
Thanks for posting this! Very interesting to hear all three singing the title line in unison on the choruses throughout the song. I don't think I had noticed or heard that on the album- at least until the end of the song.Quote:
Originally Posted by marv2
I've mentioned this sometime back that I feel the structure of "My World is Empty Without You" seems more of a solo song than a group song. The composition/production itself is outstanding and I realize that at the time HDH felt it was too good not to give it to the Supremes as opposed to a Motown solo artist. The background harmony parts, NOT THE BACKGROUND VOCALS THEMSELVES, really add nothing to the song. That is my musical opinion.
Now that makes a lot of sense and thank you! I knew and liked the background very much, so it was instantly noticeable to me even as a kid that something had changed listening to it on home stereo as a opposed to what I would hear on the radio. I'd love to hear what you did with the Four Tops. If you ever upload it on say Youtube, please let me know.Quote:
Originally Posted by WaitingWatchingLookingForAChance
The background harmony parts egg on the lead vocal, they give the song even more urgency to me. Both Diane and Mary sing it in their shows today complete with strong backing vocals.Quote:
Originally Posted by jobucats
Wait til HDH expanded comes out!
I’ve never heard a version by Mary or DianA [[I don’t know her personally) in which the background vocal line was not distracting. It’s all about our individual perceptions.Quote:
Originally Posted by marv2
I'll be happy to and if you want, I can always dub a copy for you as well. I always felt the backgrounds were kinda buried on "Can't Seem To Get You Out Of My Mind" so I wanted to work with it and see if I couldn't bring them out more. I also did the same thing with the Marvelettes "In Full Bloom Album" and the compression brought out the backing vocals of Katherine and Ann a bit more prominently on a few of the songs to feature both The Andantes and the actual Marvelettes. Let me know if you'd like a copy of those and I'll work on getting it to you.Quote:
Originally Posted by marv2
WaitingWatchingLookingForAChance, that is so very nice of you. I most definitely would like that, but I also do not want to put you to any trouble. I will send you a private message. Thank you very much!Quote:
Originally Posted by WaitingWatchingLookingForAChance
Marv
Admittedly, I own NO expanded edition releases. The only expanded edition in my house is me! Seriously though, the difference between this version and the originally released version is night and day!! Wow!!!
Quote:
Originally Posted by lockhartgary
lockhartgary! hehehehehehehehehe!!!!!
They didn't do much with the backgrounds on this... I always felt that song was made for a soloist. Like I could see Marvin or Stevie doing it but now it's hard to imagine them doing it after Diana...
Quote:
Originally Posted by midnightman
I like how Mary does it:
https://www.youtube.com/watch?v=GSGnfQ1Nkf8
Someone took the Mary video and combined it with Diana and Flo
https://www.youtube.com/watch?v=vDwkIh6cY7k
I remember this. I thought it was pretty creative at the time. Thanks MilvenQuote:
Originally Posted by milven
while i admit on MWIEWY the backgrounds are quite low in the mix, they do provide a nice effect. They definitely create a more haunting atmosphere for the song. Compare the vinyl version to the live one. and then compare to Jean or Scherrie's live version in the 70s. three totally different interpretations of this song.
it's a totally heartbreaking lyric, if you simply read the lead lines. and the musical track perfectly captured this mood. To have M and F piping along too loudly frankly would have negatively impacted the overall song. they're almost like ghosts or the crying voices inside diana's head reminding her of the gloom and loneliness
Great observation and description Sup_fan.Quote:
Originally Posted by sup_fan
My World Is Empty is also far from the only song where Motown basically hid the backgrounds. You hardly hear the Temptations for example on All I Need in some versions. The stereo version in "Gold"/"My Girl: The Very Best Of..." shows the vocals from Eddie, Otis, Melvin and Paul more clearly, in the mono you BARELY hear them.
That's a very interesting way to look at the song and you're right. It's pretty dark even for a Motown song in those days... I always hated how it sounded live. I get that they had to perform it but I never loved the arrangement.Quote:
Originally Posted by sup_fan