Or if they suspected they ignored it.
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Or if they suspected they ignored it.
You know Sup, I had a friend in the 80's who told me he had "two uncles." These uncles were much older than we were, and they bought two seperate houses right next to each other in Florence Texas. Neither married, they were inseparable and basically farmed their mutual properties for 60 years. But nobody talked about it but people seemed to accept them. Anyway I guess I've veered off topic.
I am learning that you just have to overlook some of the things these guys say. I have known about the Supremes since before they had their first number one on through to when Mary went solo and the group disbanded. I knew of them in real-time and not from reading books years and years later. Yes, both Mary and Scherrie are the same age and were born in 1944.
"i guess we'll have to agree to disagree lolol"...So what else is new?:p
I love the genre of disco. So much music to love IMO. I don't care for what I call the electronic disco, stuff like "I Feel Love" or "Livin, Lovin, Givin". It feels too mechanized and stale rather than utilizing great musicians, maybe combined with a bit of new artificial sounds. There was still quite a bit of soul to disco IMO. So my critique of the Supremes being paired with disco has everything to do with the Supremes' brand and nothing to do with the genre itself. I'll believe in the public accepting disco Supremes as much as I believe they would have accepted disco Beach Boys. When you're as HUGE and iconic as the Supremes, Beach Boys, Elvis, you really can't stray too far away from your brand. Couple that with the general public largely believing the Supremes ceased to exist somewhere around 1971, and not feeling any connection to three nameless, faceless, new Supremes [[even though one was an original), disco Supremes really didn't have a chance in hell. R&B/Pop Supremes was where the money is.
Had Motown really, and I mean really, been in her corner, that's exactly what would have happened. Mary had no business singing most of the songs that made up her album. The only cut from that album that I play regularly is "Pick Up the Pieces", as that is exactly the type of music I would've wanted from Mary Wilson at the time, a nice, slow, sexy cut. She plays that role so well and for Motown not to capitalize on it is ludicrous.
While I agree that the cuts on Priority were a better fit for Mary than most of what ended up on her debut album, this would not have been the direction for her IMO. [[Personally, as a HUGE Pointers fan, Priority is maybe the one album where my attention isn't captured, possibly aside from the fantastic "She's Got the Fever".) I would've liked to have heard Mary doing stuff like Phyllis Hyman's Somewhere In My Lifetime album, minus the dance stuff. Or Brenda Russell's first album.
I didn't realize Scherrie was that close in age to Mary! Mary [[and Cindy when she was singing with Scherrie) looks so much like the elder statesman of the group, I never would've guessed Scherrie was basically the same age as Mary. Thanks for the correction. Still my point stands that it seems like Scherrie and Susaye paired up. Mary was the odd woman out. She hadn't had an ally since Cindy.
Ran Ran--you really didn't like Priority? Wow--I loved it! Loved Energy too!
I love RanRan's posts.
It’s a really solid album Bobby that has stood the test of time. Though essentially a light rock orientated set, it has a bluesy feel to it. Favourite songs, “Dreaming As One” [[Stunning ballad) and “She’s Got The Fever”. Something like this album with a few more ballads thrown in would have been perfect for Mary. That debut album was the worst mistake of her career..........alas.
"The Fever" is the bomb. I love to hear Ruth sing. Energy went gold, and I'm guessing that was on the strength of "Fire", which is a helluva song. But this change in sound I really don't think served the Pointers well with the public, hence why Priority flopped. Now in my mind, if any artists as soulful and pliable between genres as the Pointers couldn't turn Priority into a decent seller, Mary Wilson didn't have a chance in hell. Do I think Richard Perry would have been a perfect producer for Mary? Yeah, I think he could've given her a classic album as long as he focused on her strengths. I think these types of songs [[that the Pointers were doing in the late 70s) would have exposed Mary's weaknesses more than anything. And it's not like Mary didn't have the ability to go hard. She could. Listen to her "Save Me", she isn't half steppin with that one and it works. I just don't hear her on those rocker cuts. Mary has a very specific voice and IMO when she strays outside of a certain zone, there's a "tell her to PLEASE stop it" feeling that has a tendency to come over the listener.:D
“Priority” is probably my favourite Pointer Sisters album. One must Remember some of the best albums ever have not sold by the truck load.
I agree that Richard Perry might perhaps have been a good fit for Mary. Unlike Diana, unless the song is tailor made for her voice she can sound weak and ineffective. Her sound is not really a natural for the pop market. That is not where she shines.
For that 79 album there should have been a little light rock, a spoonful of R & B, a pinch of jazz and those all important ballads. This was the way to go. After this, perhaps moving more towards standards and jazz. Disco was career suicide as in square peg round hole. One can keep those warm summer nights lol.
If we were talking favorites and what we like, well anything goes. I couldn't care less about something being successful or not, just as long as I like it. But for Mary's debut, she needed hits, she needed visibility, she needed to succeed. So in that regard, I think any conversation about what Mary's debut album should've been like should keep in mind what was going to help her achieve the greatest success. I don't think Priority would have done that for Mary, just like it didn't do it for the Pointers.
But I definitely agree, some of the best music is never very successful with the general public. Many of my favs were not.
I heard recently from someone that was in the studio on a couple of the nights that Mary was laying down vocals for her debut album that the best ones were not even included on the album when it was released! There were more than a few people that were there on the nights they were recording it that were surprised.
I thought Mary's first solo LP was terrible. Aside from Summer Night and Pick Up the Pieces, I couldn't even name another song on it. Okay maybe Red Hot. That song was IMO a Hot Mess.
I have the album on cassette tape which i got in the 80s. but i might have listened to it 1x? maybe 2X?
completely agree the material was totally wrong for her. Red Hot is dreadful IMO and her "owwwwws" and all are just wrong. PUTP is ok but frankly i've never really cared for it. but agree it's much more in her wheelhouse. the live version is a little better
although the lyrics are rather simple, Midnight Dancer sounds much better than Red Hot.
we've all talked about how the Gus tracks were much more appropriate. but here's another idea. what about something funkier and slower? maybe not totally like Tell Me Something Good but you get what i'm saying. Mr Boogie was a rather halfwit of a song but the style and sound wasn't terrible. just the lyric. Mary will always be the "sexy one" so make her a bit more like that on vinyl.
I agree. Mr Boogie is almost camp, it's so bad. If someone brought me that song to sing I'd tell him or her to F off.
I liked....loved the Pointer sisters Energy album but not so much on Priority....will have another listen....
I did like who do you love
All your love and don't let a thief steal your heart
Hopefully an expanded edition of Mary's album will get a release. I imagine she recorded other tunes, and sometimes what's left off is better than what makes the actual album, whatever the reason. That's how I feel about the Supremes R&H album. To me the best stuff was left in the vault while the inferior songs, with a few exceptions, made the album.