"Pride and Joy"! - 1963:
https://www.youtube.com/watch?v=LKXCa2Pr3sw
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"Pride and Joy"! - 1963:
https://www.youtube.com/watch?v=LKXCa2Pr3sw
The Vandellas backed Marvin on his first hits, "Stubborn Kind of Fella," "Pride and Joy," and "Hitch Hike." I believe some Raybers were added to the backgrounds on one or two of these but I can't remember where I read that. After that, The Supremes got their turn with "Can I get a Witness" and "You're a wonderful One." On "Witness," some male voices were also in evidence, and I believe those were HDH.
That's right BigAl. Martha has said that at the time of the recording of "Stubborn Kind of Fella" and "Pride and Joy" that she and the other Vandellas made up the background right there on the spot!Quote:
Originally Posted by BigAl
IMO, if Martha & The Vandellas hadn’t made it big as an act, they would have been the best background singing group in rock/pop/soul history!
They were powerful and had the Call and Response style down perfectly!Quote:
Originally Posted by mowest
Martha Roz & Annette were pictured on the back of Marvins "That Stubborn Kind of Fella" LP. Talk about a rare thing to do.
This would be the photo.
They were also credited on the label of the single.
Attachment 14060
Yes, I've seen that picture before. We had a copy or the original print at the Motown Museum years ago. Classic early 60s look . The ladies looked dressed for church and no wigs!Quote:
Originally Posted by BigAl
Exactly right marv2!Quote:
Originally Posted by marv2
Interesting look at this pic, shows you how young all of them were. They were all kids...
I always felt MR&TV's were MG's perfect background vocalists. They really bring it in the background on "Stubborn". Probably my favorite MG song featuring them on bg was Got to Get My Hands on Some Lovin'.
You can tell they were encouraging the other to vocally "get it" in other words.
Hey Midnightman, that is exactly what good background singers should do; encourage the the lead singer to get it or get over with the audience, to in a way power the lead by challenging him or her vocally! Give listen sometime to Aretha Franklin's duet with the Four Tops "I'll Make it Up to You" for a very good example of what I mean.Quote:
Originally Posted by midnightman
Yep. Martha and her ladies still to this day can bring it! Also, I do not feel that they have been given their proper overall recognition not just in the early success of Motown, but in expanding the success of the "Girl Group" genre. They sang about a wide variety of things, not just about "the boy". LOL!!!!Quote:
Originally Posted by mowest
Some years ago Martha, Roz and Nettie were headlining an oldies show which also featured Gene Chandler. After the show they asked me if I had heard them singing backup offstage during Chandler's set. I guess they weren't miked up very much because I didn't recall having heard them, but I didn't tell them that. It would have been great if they had been more audible.
Big Al's picture makes me wonder:
Diana was a Supreme.
Smokey was a Miracle.
Is Martha a Vandella?
I think so, even though none of their records came out under that name. But their first publicity photo just said "The Vandellas."Quote:
Originally Posted by marybrewster
In all respect, if you asked Martha, she'd say yes.Quote:
Originally Posted by marybrewster
But that's an interesting title. THEN AGAIN, they were just starting out so I guess they slightly added Martha's name...
What did Martha say in her book? Anyone know?
I'm guessing using simply "Vandellas" was probably a space-saving measure for the sake of the label on the single. It would look strange and possibly confusing for the label to read Marvin Gaye" with "Martha and the Vandellas" added underneath. By the time the album came out and the group was pictured and credited on the liner, they were referred to as Martha and the Vandellas.
Attachment 14061
Reese, I think there was a single release that was labeled "Marvin Gaye and the Vandellas" or "featuring the Vandallas".Quote:
Originally Posted by reese
That's it! That's the label I was referring to. Thanks BigAl.Quote:
Originally Posted by BigAl
my 45 I bought new in Miami, was printed on the side under Jobete BMI Vocal Accomp.:The Vandellas. I guess a different pressing plant.My 45 of "Hitch-Hike" does not say their names but my 45 of Pride & Joy does.
They were very prominent on both records. They really add a lot to them.
I only read Martha's book the other day and she certainly mentioned 'Marvin Gaye & The Vandellas' without complaining about her name being missing.
Of course she did lolQuote:
Originally Posted by Levi Stubbs Tears
I was asking did she mentione when they started to be named Martha and the Vandellas.
I didn't ask if she was mad they put Marvin's name in front of them. Who would be mad to have that, as Anna Gordy would say, "gorgeous hunk of man's" name in front of the moniker? :p
Also it was HIS song, duh lol
I just dug mine out as I was curious what my 45 was like as I bought it when it was first released. Sorry I cannot scan a picture as I am not that tech saavy to do so, however, I can offer the following.
On the left side of the hole
Jobete
B.M.I.
Time: 2:43
On the right side of the hole
N8OW 9660
Vocal Acc. The Vandellas
T-54068
I have no idea what the N8OW 9660 means. Does anyone know?
Is there a list of all the Marvin Gaye songs that the Vandellas sang background on? Did they stop performing background after Come And Get These Memories took off or after Heatwave took off?
In her book, Martha mentions that on the night they recorded the HEAT WAVE album, they also recorded three songs backing Marvin.Quote:
Originally Posted by SatansBlues
Attachment 18885Quote:
Originally Posted by reese
All 3 or 4 [including Gloria) were credited as The Vandellas backing Marvin Gaye on at least 2 records, and backing Saundra Mallett on her Tamla single.
The Vandellas were also credited as backing singers on the Motown pressing of La Brenda Ben's "Camel Walk" rather than the Beljeans, but that's another story.
In The Complete Motown Singles description for Stubborn Kind of Fellow, it states ". . . Motown's usual background vocalists, The Andantes, were out of town when these tracks were cut. It fell to Martha Reeves, the new A&R secretary to find replacements. "I got this brilliant idea," she recalls, "to call The Del-Phis!" The group, Gloria Jean Williamson, Rosalind Ashford, Annette Beard and Martha Reeves -- had their own single on Check-Mate in 1961 . . ."
And speaking of Martha & Co. as background singers, they also did the background vocals on DJ Lee Alan's 1964 fundraising single [for the YMCA Summer Camp Fund] "Set Me Free".
PS: Martha & The Vandellas were credited as "Vendellas" on the label [tsk].
https://motownjunkies.files.wordpres...alan.jpg?w=350
Martha was quoted somewhere as saying the A side of the Stubborn Kind of Fellow featured them on all of them. So I went to www.dftmc.info and found out what the "official" corporate records as documented indicate. On Tamla 239 there were 6 songs that dfmtc states had the Vandellas backing Marvin.Quote:
Originally Posted by SatansBlues
Stubborn Kind of Fellow
Price and Joy
Hitch Hike
Got To Get My Hands on Some Lovin'
Wherever I Lay My Hat [That's My Home]
There was also It Hurt Me Too with the Vandellas backing Marvin. This was released as Tamla 54068.
I also discovered that the Vandellas [without Marvin Gaye] also recorded Hitch Hike about two years after Marvin/Vandellas was released. I have never heard this. Does anyone know how it compares with the original? Marvin's version with the Vandellas was recorded 9/16/1962 and the Vandellas only version was recorded 8/31/1964.
Here's the Vandellas' version of "Hitch Hike" included on the Dance Party album. How do you think it compares to the original?
https://www.youtube.com/watch?v=40nF7S6ojIU
This is one of those personal taste things, isn't it? I have always liked Martha's as well
since I had that Dance Party album as a kid. As much as I loved what became the big hits
Mobile Lil was my favorite track on it. A sibling of mine broke it and I never forgave her....:)
^^^ Mobile Lil was a favourite of mine as well.
Martha says they also recorded three songs backing Marvin done on the same evening that they recorded the HEAT WAVE album. Supposedly they had to get an album out really fast to capitalize on the hit single so they came into Hitsville from an out of town engagement and recorded the whole album. The next day, they flew back to complete their engagement and had to get shots because their throats were suffering from overuse.Quote:
Originally Posted by woodward
For their version of HITCH HIKE, Martha just recorded her lead over Marvin's original track, retaining their original back-up vocals.