miss_lish
02-23-2011, 10:35 PM
Martha is quite articulate.
To listen to the actual interview, you may need to click the Listen tab.
http://www.npr.org/2011/02/23/133998783/motown-a-game-changer-for-black-americans
Motown: A Game-Changer For Black Americans
Listen to the Story
Talk of the Nation [34 min 48 sec]
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Guests
Martha Reeves, lead singer, Martha And The Vandellas
Bob Santelli, executive director of the Grammy Museum
February 23, 2011
Fifty years ago, when black musicians had a difficult time breaking into a music business that was divided by race, Motown changed everything. Catchy dance tunes blending R&B, gospel, swing and pop from Berry Gordy's Detroit-based record company caught on nationwide.
Copyright © 2011 National Public Radio®. For personal, noncommercial use only. See Terms of Use. For other uses, prior permission required.
NEAL CONAN, host:
This is TALK OF THE NATION. Im Neal Conan in Washington.
[[Soundbite of song, "Heatwave")
MARTHA AND THE VANDELLAS: [[Singing) Whenever I'm with you, something inside starts burning, and I fill with desire. Could it be a devil in me, or is this way that I'm supposed to be? It's like a heat wave burning in my heart. I can't keep from crying. It's tearing me apart.
CONAN: By 1963, the vast majority of American kids could hear exactly that much of "Heatwave" and identify the record label. Just four years after Barry Gordy established Motown, the Detroit studio had transformed American music: Martha and the Vandellas, the Supremes, the Temptations, Marvin Gaye, the Four Tops, Junior Walker, Stevie Wonder, the list goes on and on and on.
Tomorrow night, in honor of Black History Month, the White House holds a gala to celebrate music that greatly influenced American culture. Martha Reeves will join us in just a moment.
How do you gauge Motown's influence on America? What was your Motown moment? Give us a call, 800-989-8255. Email us, talk@npr.org. You can also join the conversation on our website. That's at npr.org. Click on TALK OF THE NATION.
And Martha Reeves joins us today from member station WDET in Detroit. Nice to have you with us today.
Ms. MARTHA REEVES [[Lead Singer, Martha and the Vandellas): It's a pleasure to be here.
CONAN: And it must be quite an honor for Motown to be recognized that way at the White House.
Ms. REEVES: I'm so excited. I hope I can contain myself during this interview. What a thrill.
[[Soundbite of laughter)
CONAN: What was the first time you remember being aware of Motown Records?
Ms. REEVES: When I was appearing at the 20 Grand. I had won an amateur contest, and my reward was three nights during the happy hour, which is like between 7:00 and 11:00, at a place called the 20 Grand, which is no longer in existence here in Detroit.
But on my last night, Sunday night, a gentleman from Hitsville, USA -that's how he represented himself - a man named William Stevenson[[ph) gave me a card and said: You have talent, come to Hitsville, USA. And I took the card backstage, and I recognized a few names on there because I had heard about Mary Wells. I had heard about Marv Johnson. I had heard about Eddie Holland, and the Contours were not yet on the label yet, but I was hoping that I could meet the Miracles because they were talking about this guy Smokey, who had a wife in the group, Claudette. But all of these names were on the back of that card, and I was excited to go.
So I went the next morning. Instead of taking the card and making an appointment, I showed up.
[[Soundbite of laughter)
Ms. REEVES: And to everybody's surprise, William Stevenson, better known as Mickey, said: What are you doing here? And I said: I don't - didn't you give me a card last night and say come here? But I didn't know protocol. I didn't know you were supposed to call for an audition.
And they held auditions every third Thursday. So here I was on the first of the month. I'm going: Well, what should I do? He said: Answer the phone. I'll be right back.
This is my first knowledge of Motown Records. This is my first introduction. And I stayed all day. At the end of the day, I was asked to come back, and this continued until I finally did a demonstration record, got the attention of Barry Gordy, the owner, and had a record released with the Delphis, who were named after - we changed the name from Delphis to Vandellas.
CONAN: That's an interesting story. There is also - there were so many people. You mentioned a few of those names that you were interested in meeting. You got to meet all of them. You got to work with most of them.
Ms. REEVES: Well, as an A&R secretary, which I became for nine months, I gave that job to three girls from secretarial college, boarded a bus with eight other acts and a 12-piece band, the Choker Campbell Band. And Stevie Wonder was little at the time. We don't call him little anymore.
[[Soundbite of laughter)
CONAN: No, I don't think so.
Ms. REEVES: But Stevie Wonder was on that tour as well. So it was quite a 94 one-night adventure.
CONAN: And what was it like to - there were so many distinctive voices and so many distinctive talents there, yet there was a sameness to the sound that was instantly identifiable. What do you think was the common denominator?
Ms. REEVES: The magic of the Motown sound was the musicians who recorded the music never traveled with me or any of the other acts that I know of. Well, on special occasions they would appear. Like the Funk Brothers did go to England with us. But they were referred to as the Funk Brothers, and they recorded for everybody.
And they had the unique talent of playing different for each act. You knew the voices. You could tell the intros of the songs and know who exactly that it was. And that's one thing that I take pride in, being with a company who had not only lyrics that were - you could sing in church or in mixed company, you didn't have to send anybody out of the room to listen to the Motown sound. And we had stories that we told that could touch the heart, to change things, to make things better for everybody who listened. And that was the joy of being on the Motown sound, being with the Motown sound.
To listen to the actual interview, you may need to click the Listen tab.
http://www.npr.org/2011/02/23/133998783/motown-a-game-changer-for-black-americans
Motown: A Game-Changer For Black Americans
Listen to the Story
Talk of the Nation [34 min 48 sec]
Add to Playlist
Download
Guests
Martha Reeves, lead singer, Martha And The Vandellas
Bob Santelli, executive director of the Grammy Museum
February 23, 2011
Fifty years ago, when black musicians had a difficult time breaking into a music business that was divided by race, Motown changed everything. Catchy dance tunes blending R&B, gospel, swing and pop from Berry Gordy's Detroit-based record company caught on nationwide.
Copyright © 2011 National Public Radio®. For personal, noncommercial use only. See Terms of Use. For other uses, prior permission required.
NEAL CONAN, host:
This is TALK OF THE NATION. Im Neal Conan in Washington.
[[Soundbite of song, "Heatwave")
MARTHA AND THE VANDELLAS: [[Singing) Whenever I'm with you, something inside starts burning, and I fill with desire. Could it be a devil in me, or is this way that I'm supposed to be? It's like a heat wave burning in my heart. I can't keep from crying. It's tearing me apart.
CONAN: By 1963, the vast majority of American kids could hear exactly that much of "Heatwave" and identify the record label. Just four years after Barry Gordy established Motown, the Detroit studio had transformed American music: Martha and the Vandellas, the Supremes, the Temptations, Marvin Gaye, the Four Tops, Junior Walker, Stevie Wonder, the list goes on and on and on.
Tomorrow night, in honor of Black History Month, the White House holds a gala to celebrate music that greatly influenced American culture. Martha Reeves will join us in just a moment.
How do you gauge Motown's influence on America? What was your Motown moment? Give us a call, 800-989-8255. Email us, talk@npr.org. You can also join the conversation on our website. That's at npr.org. Click on TALK OF THE NATION.
And Martha Reeves joins us today from member station WDET in Detroit. Nice to have you with us today.
Ms. MARTHA REEVES [[Lead Singer, Martha and the Vandellas): It's a pleasure to be here.
CONAN: And it must be quite an honor for Motown to be recognized that way at the White House.
Ms. REEVES: I'm so excited. I hope I can contain myself during this interview. What a thrill.
[[Soundbite of laughter)
CONAN: What was the first time you remember being aware of Motown Records?
Ms. REEVES: When I was appearing at the 20 Grand. I had won an amateur contest, and my reward was three nights during the happy hour, which is like between 7:00 and 11:00, at a place called the 20 Grand, which is no longer in existence here in Detroit.
But on my last night, Sunday night, a gentleman from Hitsville, USA -that's how he represented himself - a man named William Stevenson[[ph) gave me a card and said: You have talent, come to Hitsville, USA. And I took the card backstage, and I recognized a few names on there because I had heard about Mary Wells. I had heard about Marv Johnson. I had heard about Eddie Holland, and the Contours were not yet on the label yet, but I was hoping that I could meet the Miracles because they were talking about this guy Smokey, who had a wife in the group, Claudette. But all of these names were on the back of that card, and I was excited to go.
So I went the next morning. Instead of taking the card and making an appointment, I showed up.
[[Soundbite of laughter)
Ms. REEVES: And to everybody's surprise, William Stevenson, better known as Mickey, said: What are you doing here? And I said: I don't - didn't you give me a card last night and say come here? But I didn't know protocol. I didn't know you were supposed to call for an audition.
And they held auditions every third Thursday. So here I was on the first of the month. I'm going: Well, what should I do? He said: Answer the phone. I'll be right back.
This is my first knowledge of Motown Records. This is my first introduction. And I stayed all day. At the end of the day, I was asked to come back, and this continued until I finally did a demonstration record, got the attention of Barry Gordy, the owner, and had a record released with the Delphis, who were named after - we changed the name from Delphis to Vandellas.
CONAN: That's an interesting story. There is also - there were so many people. You mentioned a few of those names that you were interested in meeting. You got to meet all of them. You got to work with most of them.
Ms. REEVES: Well, as an A&R secretary, which I became for nine months, I gave that job to three girls from secretarial college, boarded a bus with eight other acts and a 12-piece band, the Choker Campbell Band. And Stevie Wonder was little at the time. We don't call him little anymore.
[[Soundbite of laughter)
CONAN: No, I don't think so.
Ms. REEVES: But Stevie Wonder was on that tour as well. So it was quite a 94 one-night adventure.
CONAN: And what was it like to - there were so many distinctive voices and so many distinctive talents there, yet there was a sameness to the sound that was instantly identifiable. What do you think was the common denominator?
Ms. REEVES: The magic of the Motown sound was the musicians who recorded the music never traveled with me or any of the other acts that I know of. Well, on special occasions they would appear. Like the Funk Brothers did go to England with us. But they were referred to as the Funk Brothers, and they recorded for everybody.
And they had the unique talent of playing different for each act. You knew the voices. You could tell the intros of the songs and know who exactly that it was. And that's one thing that I take pride in, being with a company who had not only lyrics that were - you could sing in church or in mixed company, you didn't have to send anybody out of the room to listen to the Motown sound. And we had stories that we told that could touch the heart, to change things, to make things better for everybody who listened. And that was the joy of being on the Motown sound, being with the Motown sound.