The Supremes - Soft Days Demo Mix

[kje71]

Produced by Stevie Wonder, never released. Know a few bootlegs have been going around but was able to get hold of the session and make a mix of the song. Cut it down just a little, take a listen

https://soundcloud.com/imaginationmix/the-supremes-soft-days-demo-mix

[DJMoch]

Wow, that's amazing to finally hear this in pristine quality. How on earth did you manage to get hold of the sessions? I've been lucky to stumble on multitracks of various Motown songs, but released ones. This is the kind of stuff I dream of finding.

What an awesome mix! Love it!

[marv2]

The sound quality is excellent. Thank you kje71

[marv2]

This song, recording would have fit in perfectly with what was on the radio in 1973-74.

[carlo]

Fantastic clear quality...what a treat! Thank you for sharing.

[carlo]

It's been a while since I've listened to this. I forgot about how Mary slows it down at the end. Great! :)

[jobucats]

Thank you, thank you so much. This has always been a favorite seldom heard treasure, and I am finally glad to hear it in such fantastic quality. Your award will be in the mail.

[marv2]

I always loved the Mary Wilson/Jean Terrell combination.

[Levi Stubbs Tears]

Great quality - thanks

[TomatoTom123]

Ooooooh yes this sounds great... mmmmm... thanks kje

[aarondillon2011@gmail.com]

Maybe if we are lucky enough he might do the other 70's Supremes bootleg recordings ;-) PLEASE PLEASE PLEASE.

[franjoy56]

Maybe if we are lucky enough he might do the other 70's Supremes bootleg recordings ;-) PLEASE PLEASE PLEASE. it would be a crime not to put this on and upcoming supremes lost and found the 70's we've been hearing the distorted version for years and now we have a pristine copy sitting and we cant add it to our collection. kje thank you for sharing it with us.

[marv2]

it would be a crime not to put this on and upcoming supremes lost and found the 70's we've been hearing the distorted version for years and now we have a pristine copy sitting and we cant add it to our collection. kje thank you for sharing it with us.

i agree Fran. "Soft Days" easily ranks with most of the Supremes output in the 70s. This is a perfect "summertime" song that I can listen to over and over and over......

[marv2]

I love the line Jean sings " He likes what he loves ......" Can't you imagine hearing this on the radio say around early 1974?

[marv2]

Kje71 could you please upload this to Youtube for others to enjoy?

[gordy_hunk]

I really love this track, and simply can't understand why it was considered 'unfinished' or that Motown [[or Stevie) decided not to issue it. It's such a beautiful track, so perfectly sung by Jean and Mary.

I don't know how many other tracks were produced by Stevie on the Supremes, but if there are similar to this one, they need to be unearthed and issued.

Thank you so much KJE71 - you've made my weekend.

[daviddh]

always liked this song,beautiful, thanks for posting,
when you get the session, just this one track????

[longtimefan]

Kje71 could you please upload this to Youtube for others to enjoy?

...or post as an MP3? The fans would be so appreciative!!! Thanks in advance.

[Motownfan1971uk]

I'm really grateful you shared this. It sounds stunning. Apart from the wonderful vocals I really love the instrumentation on this track, and to hear it all so crystal clear. .....wow.

[aarondillon2011@gmail.com]

I'd really love kje71 to tackle Loneliness Is A Lonely Feeling, Stepping On A Dream, You Only Miss Me When You See Me, Remote Control, and Can't You Hear Me Knocking.

[Boogiedown]

Ha ha here we go again. The Supremes singing about the weather!! lol!

Seems like a rough attempt at a work still in its early stages. Is Jean even making it up some as she goes? Lyrics all over the place, very incohesive.
I like Mary's attempt at it better , the little piece we get to hear at the end. She's taking on the song's subject from the first person perspective instead of it being about the man's as Jean sings it. Still .... "soft days" ?? :confused:.... what??
As I'm learning to understand Mary's voice , I'm really warming up to it . Based on this demo , I'd give this song to her.

[blackguy69]

The first time I heard this song, Mary does the introduction as well as the outro

[sup_fan]

I’m guessing that as he was writing and developing the various songs for the girls BW emerged as what they felt was the most exciting and likely to hit. Then they waited on the producing or finishing the others to see how BW fared. If it hit they’d continue w the sessions. Floy Joy was similar. Smokey did that track first and then the girls came back in Jan to do the lp.

Here’s a question - what would have happened to the group if J and L hadn’t quit? What might they have done next?

[sup_fan]

Also I wonder if part of the reason of the lack to BW promotion was just that things had gotten so bad and tense between M and J. Maybe Motown figures jean was already on the verge of quitting

[marv2]

Also I wonder if part of the reason of the lack to BW promotion was just that things had gotten so bad and tense between M and J. Maybe Motown figures jean was already on the verge of quitting

No. None that had anything to do with it. Motown had made making movies a priority at that time. Most of their established acts were being neglected and some left the label.

[RanRan79]

Thanks for posting! So good to hear this great song so much more clearer than before. And Jean sounds fantastic as usual. Such a gem. And Mary and Lynda's harmony is beautiful. Perfect example of why Jimmy Webb's use of others in addition to Mary and Lynda seems so unnecessary.

[RanRan79]

Also I wonder if part of the reason of the lack to BW promotion was just that things had gotten so bad and tense between M and J. Maybe Motown figures jean was already on the verge of quitting

Contrary to popular belief, I think after Diana left, the Supremes were still a priority at Motown, right up through the Floy Joy album. I think the JW album knocked them back and Motown had already proven with various other acts that it definitely could view an act within the question of "what have you done for me lately?". If your last project was hot, they might stick behind you for the followup. If not, they were subject to move on to the next thing. The Supremes had definitely fallen off with the JW production, and not only did Motown seem to move on but, as others around the forum have opined, the radio djs even moved on, which effected radio play and record sales for "Bad Weather". Mary mentions in her second book that around this time Jean was rubbing a lot of people the wrong way, so it's not impossible to believe that she stepped on some toes at Motown that she may not have been able to recover from. Berry Gordy was into movies, but Motown was still in the music making business. Stevie Wonder was killin the game at the time and it's crazy to think that Motown would not have given a full push to one of his products even as a producer at this time unless there was something funky going on with the group. I think all of this resulted in "Bad Weather"s death and put an end to the proposed album and an end to JML.

[sup_fan]

Contrary to popular belief, I think after Diana left, the Supremes were still a priority at Motown, right up through the Floy Joy album. I think the JW album knocked them back and Motown had already proven with various other acts that it definitely could view an act within the question of "what have you done for me lately?". If your last project was hot, they might stick behind you for the followup. If not, they were subject to move on to the next thing. The Supremes had definitely fallen off with the JW production, and not only did Motown seem to move on but, as others around the forum have opined, the radio djs even moved on, which effected radio play and record sales for "Bad Weather". Mary mentions in her second book that around this time Jean was rubbing a lot of people the wrong way, so it's not impossible to believe that she stepped on some toes at Motown that she may not have been able to recover from. Berry Gordy was into movies, but Motown was still in the music making business. Stevie Wonder was killin the game at the time and it's crazy to think that Motown would not have given a full push to one of his products even as a producer at this time unless there was something funky going on with the group. I think all of this resulted in "Bad Weather"s death and put an end to the proposed album and an end to JML.

I agree with your assessment. Motown was in the business of making money. So long as an act was hot or viewed as an absolutely essential corporate focus, then they got support. One could argue that DRATS fell off their pedestal to some degree with djs and the public in the late 60s. The group was viewed as too plastic and "white" with singles and lps not really tapping into the feelings of the era.

[marv2]

Contrary to popular belief, I think after Diana left, the Supremes were still a priority at Motown, right up through the Floy Joy album. I think the JW album knocked them back and Motown had already proven with various other acts that it definitely could view an act within the question of "what have you done for me lately?". If your last project was hot, they might stick behind you for the followup. If not, they were subject to move on to the next thing. The Supremes had definitely fallen off with the JW production, and not only did Motown seem to move on but, as others around the forum have opined, the radio djs even moved on, which effected radio play and record sales for "Bad Weather". Mary mentions in her second book that around this time Jean was rubbing a lot of people the wrong way, so it's not impossible to believe that she stepped on some toes at Motown that she may not have been able to recover from. Berry Gordy was into movies, but Motown was still in the music making business. Stevie Wonder was killin the game at the time and it's crazy to think that Motown would not have given a full push to one of his products even as a producer at this time unless there was something funky going on with the group. I think all of this resulted in "Bad Weather"s death and put an end to the proposed album and an end to JML.

It was Lynda Laurence that was pissing people off at that time. Not Jean Terrell. Jean was frustrated and became withdrawn. They all were frustrated.

[Thornton]

This is incredible. I wish there was a way to clean up the MSC version of "All I Want". "Soft Days" had tremendous hit potential. I remember reading that there was supposed to be a solo for Mary following her closing lines. No idea if the song ever was recorded, or even written. One of the many missed opportunities with the JML lineup. So glad to have this cleaned up mix.

[RanRan79]

I agree with your assessment. Motown was in the business of making money. So long as an act was hot or viewed as an absolutely essential corporate focus, then they got support. One could argue that DRATS fell off their pedestal to some degree with djs and the public in the late 60s. The group was viewed as too plastic and "white" with singles and lps not really tapping into the feelings of the era.

The difference between DRATS and the DRless Supremes was that Motown knew what it had in Diana Ross. Like Marvin, Stevie and Gladys, Motown knew with the right song DRATS could be back on top, so sometimes the last poor charting/selling single/album didn't really matter. And to be fair, DRATS' singles and albums had better showings than Jimmy Webb and Bad Weather. [[Plus DRATS was merely Gordy's way of segueing Ross out of the group, so there would have never been a lack of support for them until she left.)

[RanRan79]

It was Lynda Laurence that was pissing people off at that time. Not Jean Terrell. Jean was frustrated and became withdrawn. They all were frustrated.

According to Mary Wilson, in her second book, beginning around page 90, she talks about Jean's nasty attitude, including anecdotes regarding Jean's rude behavior at a Tempts concert and at a party thrown in the Tempts honor. Even a potential manager whom Mary thought had great ideas for the group decided to drop out because he wasn't willing to deal with Jean's attitude. It was at that point that even Mary stopped talking to Jean. Mary makes no mention of Lynda having the same attitude issues. And no doubt that if Jean was trippin that hard, Motown knew about it, and they would not have been happy.

[sup_fan]

for better or worse, jean was NOT a puppet. she was a strong-minded adult when she came into the group. I believe that's why Berry wanted her out. he probably started to see that she was more challenging to work with and figured that, personality-wise, she wouldn't fit in with the group or the motown system. I agree that his timing couldn't have been worse - trying to ditch her after the Farewell concert.

from what i understand, Jean was also salaried for the first part of her tenure. So the biggest hits [[Ladder, Stoned, Nathan) did not provide her with royalties. and then by 72 they were cutting all of her hits from the show or squeezing them into medleys, then brought back a bunch of the DRATS concert pieces, etc. she didn't agree with the direction management was taking the group and she spoke out. She stated she would no longer agree to record whatever was presented to her.

There is a LONG history of rebels getting the cold shoulder at motown. Martha, David Ruffin, Eddie Kendricks, Flo, Jean and eventually even Mary.

I definitely think that both Jean and Mary's internal problems and their external problems with motown absolutely contributed to the problems.

[longtimefan]

Thanks for posting! So good to hear this great song so much more clearer than before. And Jean sounds fantastic as usual. Such a gem. And Mary and Lynda's harmony is beautiful. Perfect example of why Jimmy Webb's use of others in addition to Mary and Lynda seems so unnecessary.

Has anybody been able to turn this version into an MP3 or post it on FaceBook?

[blackguy69]

According to Mary Wilson, in her second book, beginning around page 90, she talks about Jean's nasty attitude, including anecdotes regarding Jean's rude behavior at a Tempts concert and at a party thrown in the Tempts honor. Even a potential manager whom Mary thought had great ideas for the group decided to drop out because he wasn't willing to deal with Jean's attitude. It was at that point that even Mary stopped talking to Jean. Mary makes no mention of Lynda having the same attitude issues. And no doubt that if Jean was trippin that hard, Motown knew about it, and they would not have been happy.
Mary was warned about Lynda but nothing compared to Jean.

[marv2]

This is incredible. I wish there was a way to clean up the MSC version of "All I Want". "Soft Days" had tremendous hit potential. I remember reading that there was supposed to be a solo for Mary following her closing lines. No idea if the song ever was recorded, or even written. One of the many missed opportunities with the JML lineup. So glad to have this cleaned up mix.

I did hear a version of "Soft Days" with Mary singing the complete lead.

[marv2]

Mary was warned about Lynda but nothing compared to Jean.

I have met all of them and Jean is very misunderstood by people. She is a sweetheart........that just happens to get moody sometimes. LOL!

[marv2]

I would love to test this song, this recording on today's market. Let people hear it without them knowing it is the Supremes from 1973 and see what the reaction would be.

[marv2]

According to Mary Wilson, in her second book, beginning around page 90, she talks about Jean's nasty attitude, including anecdotes regarding Jean's rude behavior at a Tempts concert and at a party thrown in the Tempts honor. Even a potential manager whom Mary thought had great ideas for the group decided to drop out because he wasn't willing to deal with Jean's attitude. It was at that point that even Mary stopped talking to Jean. Mary makes no mention of Lynda having the same attitude issues. And no doubt that if Jean was trippin that hard, Motown knew about it, and they would not have been happy.

Lynda was a problem and that's all I am going to say. We have discussed this plenty over the years. Mary discussed the surface problems with her in her book which was enough. As I said, they all were frustrated at that time. The fans were very frustrated too.

[marv2]

According to Mary Wilson, in her second book, beginning around page 90, she talks about Jean's nasty attitude, including anecdotes regarding Jean's rude behavior at a Tempts concert and at a party thrown in the Tempts honor. Even a potential manager whom Mary thought had great ideas for the group decided to drop out because he wasn't willing to deal with Jean's attitude. It was at that point that even Mary stopped talking to Jean. Mary makes no mention of Lynda having the same attitude issues. And no doubt that if Jean was trippin that hard, Motown knew about it, and they would not have been happy.

It wasn't Jean that threw one of her shoes as hard as she could at one of the Temptations before a show............LOL!

[RanRan79]

I did hear a version of "Soft Days" with Mary singing the complete lead.

Oh I bet that was great. I can't stress enough how much I love Mary's tone and it was really shining around this time.

[RanRan79]

Lynda was a problem and that's all I am going to say. We have discussed this plenty over the years. Mary discussed the surface problems with her in her book which was enough. As I said, they all were frustrated at that time. The fans were very frustrated too.

Lynda may have been a problem, but according to Mary, Jean was one of the major problems. I'm sure there was frustration to go around, but it appears that Jean, like Florence and Diana before her, didn't always handle her issues in a mature and professional manner, and lashing out- either at the company or the other members of the group- always leads to a horrible situation. So sad.

[RanRan79]

Has anybody been able to turn this version into an MP3 or post it on FaceBook?

I haven't. Hopefully Kje71 will upload it to Youtube so I can rip it from there.

[Weslley Francisco]

Love this song, thank you Kje71!
I wish we could have a chance hear "I'll Wait A Lifetime" from the Stevie Wonder sessions. Has anybody here ever heard that song?

[TheMotownManiac]

Lynda may have been a problem, but according to Mary, Jean was one of the major problems. I'm sure there was frustration to go around, but it appears that Jean, like Florence and Diana before her, didn't always handle her issues in a mature and professional manner, and lashing out- either at the company or the other members of the group- always leads to a horrible situation. So sad.

to even suggest Lynda was the problem is ludicrous. Not only has Mary stated how bad Jean became, but I witnessed first hand the tensions between Jean and Mary before Lynda joined and Cindy was thrilled to not be in the middle of ANOTHER power struggle. In Chicago in 1972, Jean seemed to be trying to piss Mary off and I know Lynda was surprised at the acrimony when she joined. Mary was trying hard to advance her position in the group and Jean wasn’t having it. She had not signed on to share leads with anyone. I’m not casting blame here as both ladies had their agendas, but Jean was very bitchy and unprofessional to Mary and no amount of spin or revisionism can change that. Leaving NYC without telling Mary was enough to show what a problem Jean was. Not enough? Stepping all over Mary on Model Of The Year is another. Jean was always nice to the fans, but she could be hellish otherwise. And was. Mary was always a trouble maker with her trying to get group members “on her side” which began in fall 1967, but she was never as rude and unprofessional as Jean could be. And, like Mary, it’s always someone else’s fault - Motown, Jean, Lynda, Cindy, Diana, Flo, Berry, Susaye......... see the pattern? There are no innocents here .......but that more than includes Mary.

[TheMotownManiac]

I did hear a version of "Soft Days" with Mary singing the complete lead.

‘I would love to hear that as this track seems well suited to Mary, although Jean is fine on it. I disagree that this is a radio gem of any era, it goes nowhere and the chorus is mundane. Could be a nice album track, but single? NFW. Have you ever heard a Jean or Mary track that wasn’t fantastic and a lost hit? Ever?

[jobucats]

‘I would love to hear that as this track seems well suited to Mary, although Jean is fine on it. I disagree that this is a radio gem of any era, it goes nowhere and the chorus is mundane. Could be a nice album track, but single? NFW. Have you ever heard a Jean or Mary track that wasn’t fantastic and a lost hit? Ever?

Great observation. What does NFW mean?

[TheMotownManiac]

Great observation. What does NFW mean?
No f#cking way

[RanRan79]

It wasn't Jean that threw one of her shoes as hard as she could at one of the Temptations before a show............LOL!

Knowing their Casanova reputations, I imagine that most- if not all- of the 60s Tempts were more than familiar with flying objects hurling in their direction, especially by women.;)

[Circa 1824]

Musically it is gentle and sweet, but the lyrics go nowhere. The lyrics are nonsensical. Vocals are laid back and a tad dull.

[RanRan79]

to even suggest Lynda was the problem is ludicrous. Not only has Mary stated how bad Jean became, but I witnessed first hand the tensions between Jean and Mary before Lynda joined and Cindy was thrilled to not be in the middle of ANOTHER power struggle. In Chicago in 1972, Jean seemed to be trying to piss Mary off and I know Lynda was surprised at the acrimony when she joined. Mary was trying hard to advance her position in the group and Jean wasn’t having it. She had not signed on to share leads with anyone. I’m not casting blame here as both ladies had their agendas, but Jean was very bitchy and unprofessional to Mary and no amount of spin or revisionism can change that. Leaving NYC without telling Mary was enough to show what a problem Jean was. Not enough? Stepping all over Mary on Model Of The Year is another. Jean was always nice to the fans, but she could be hellish otherwise. And was. Mary was always a trouble maker with her trying to get group members “on her side” which began in fall 1967, but she was never as rude and unprofessional as Jean could be. And, like Mary, it’s always someone else’s fault - Motown, Jean, Lynda, Cindy, Diana, Flo, Berry, Susaye......... see the pattern? There are no innocents here .......but that more than includes Mary.

I'm grateful for Jean as a Supreme from a musical standpoint. She's such an awesome vocalist. Easily one of my favorite voices ever. And I get what attracted Gordy to the idea of Jean taking Diana's place in the group. Jean and Diana had two different sounds but they had the ability to affect the listener in similar ways. All the stuff Diana sang lead on as a Supreme- particularly once they hit big- Jean could have done with a similar effect. Jean, like Diana, could sing just about anything and make it work. Vocally, she was a perfect replacement for Diana. But with everything considered, it was probably in everyone's best interest if Jean had signed with Motown as a solo act and someone else [[not Syreeta) had stepped into Diana's shoes. [[I realize they were already contracted by Invictus, but whatever Motown wanted, they got, didn't they? So my favorite choices to take over for Diana was either Freda Payne or Edna Wright.) It wouldn't surprise me a bit to learn that Jean resented sharing the lead with Mary. Let's not forget that much of the music business is driven by ego. Why should Jean be any different? She may have thought that the Supremes would be her launching pad like Diana. And then, what, like a year or so into the group and suddenly she's sharing leads on singles with Mary Wilson [[whom we know isn't always regarded as a highly skilled singer...an opinion I do not share, btw)? She may have had an issue with that. She also may have had an issue with any "I'm the leader because I'm an original" mentality that Mary may have expressed. IMO Mary earned the right to have that mentality, but when dealing with a Jean Terrell, who may have had a hard time being "led" by anyone, I could see it not going down too smoothly. But that's life, isn't it? Wherever you find people you'll find conflict. It's just sad that so often where the Supremes were concerned, these conflicts could never resolve themselves. They just got bigger and bigger until there was an explosion. And that explosion usually ended with someone's exit.

[RanRan79]

‘I would love to hear that as this track seems well suited to Mary, although Jean is fine on it. I disagree that this is a radio gem of any era, it goes nowhere and the chorus is mundane. Could be a nice album track, but single? NFW. Have you ever heard a Jean or Mary track that wasn’t fantastic and a lost hit? Ever?

I agree about the chorus. It definitely needed to be re-worked. But everything else about it is fine. No reason for me to think it didn't stand a chance. I just looked at the list of number one hot 100 hits for 1973. "Slow Days" is a much better song IMO than some of the cuts that topped the charts. I dig the Carpenters, but "Top of the World"? Don't make me gag.

[TheMotownManiac]

I agree about the chorus. It definitely needed to be re-worked. But everything else about it is fine. No reason for me to think it didn't stand a chance. I just looked at the list of number one hot 100 hits for 1973. "Slow Days" is a much better song IMO than some of the cuts that topped the charts. I dig the Carpenters, but "Top of the World"? Don't make me gag.

i don’t care for Top Of The World at all, but it’s a better produced record, has a proven sound that was already a radio staple and a melody that you could hum or singalong with if you like that sort of thing. This Supremes track seems raw and in need of a re-write before a new demo is warranted. This didn’t work, which is why I’m sure they bailed on it.

[jobucats]

No f#cking way

Ouch! I'll let it go at that.

[TheMotownManiac]

I'm grateful for Jean as a Supreme from a musical standpoint. She's such an awesome vocalist. Easily one of my favorite voices ever. And I get what attracted Gordy to the idea of Jean taking Diana's place in the group. Jean and Diana had two different sounds but they had the ability to affect the listener in similar ways. All the stuff Diana sang lead on as a Supreme- particularly once they hit big- Jean could have done with a similar effect. Jean, like Diana, could sing just about anything and make it work. Vocally, she was a perfect replacement for Diana. But with everything considered, it was probably in everyone's best interest if Jean had signed with Motown as a solo act and someone else [[not Syreeta) had stepped into Diana's shoes. [[I realize they were already contracted by Invictus, but whatever Motown wanted, they got, didn't they? So my favorite choices to take over for Diana was either Freda Payne or Edna Wright.) It wouldn't surprise me a bit to learn that Jean resented sharing the lead with Mary. Let's not forget that much of the music business is driven by ego. Why should Jean be any different? She may have thought that the Supremes would be her launching pad like Diana. And then, what, like a year or so into the group and suddenly she's sharing leads on singles with Mary Wilson [[whom we know isn't always regarded as a highly skilled singer...an opinion I do not share, btw)? She may have had an issue with that. She also may have had an issue with any "I'm the leader because I'm an original" mentality that Mary may have expressed. IMO Mary earned the right to have that mentality, but when dealing with a Jean Terrell, who may have had a hard time being "led" by anyone, I could see it not going down too smoothly. But that's life, isn't it? Wherever you find people you'll find conflict. It's just sad that so often where the Supremes were concerned, these conflicts could never resolve themselves. They just got bigger and bigger until there was an explosion. And that explosion usually ended with someone's exit.

Jean was great, but she stepped into a dream that was not what she expected. She didn’t know how little a mega group like The Supremes earned VS their gross, didn’t expect Mary to assert leadership and didn’t expect to be hounded about questions concerning her predecessor. Once Ross blew up in 72-73, Jean could no longer continue to feel superior to her, as I believe she did, as Ross had left The Supremes in the dust while Jean was still being asked about her. Mary, of course, blames everyone but herself and just couldn’t bear the thought that the New group just didn’t click - or, if she did, certainly wasn’t going to admit it. Mary very much wanted to show Diana that The Supremes could get along without her, when it didn’t happen, she blamed Motown - unaware that years later there would be substantial proof to the contrary. When I saw JMC in Chicago the second time, they were already sharing the bill with a Ray Charles - with the hits, tv exposure and everything, they had already slipped at the box office and that cannot be blamed on lack of promotion. It was around this time that Jean was starting to crab in interviews. Diana may be a villainess, I wasn’t around for that personally, but what I witnessed in the 70s showed two singers going at each other and I can see both sides. I do know this: every problem every grouping had shared one common denominator: Mary. If Cindy’s Book ever comes out, she will shed a new light on much of the turmoil in the groups.

I dont know who who would have been better than Jean, sometimes you just can’t replace a member who has so much ‘it’ factor, she remains cherished 30 years after her last hit. The 70s Supremes never lacked for talent, but they sorely missed a star. I like Edna Wright as a thought, Syreeta, Lola Falana. I would have used Syreeta as she had more star appeal than matronly Jean.

[RanRan79]

I'm not sure Syreeta had the stage presence to step into Diana's shoes. IMO she certainly doesn't have the vocal personality. Edna had stage presence, personality and a great sound. For the life of me I can't figure out why Freda Payne wasn't a huge star. Looks, voice, personality, good material. I could see her stepping into Diana's shoes beautifully. Plus she and Mary are good friends [[don't know if they were at the time) so Freda may have been able to help Mary re-create some of the camaraderie she missed when she, Flo and Diana were still friends. On top of that, we know that Gordy recognized Freda's gifts from way back in 1960/61. I think it could've worked. Too bad we'll never know.

[Circa 1824]

No lead singer wants to share those precious lead vocals with an inferior singer. This leads to wars.

[Buttered Popcorn and so forth]

Has anybody been able to turn this version into an MP3 or post it on FaceBook?Here's a link that you can use to download any music tracks from SoundCloud: https://scdownloader.net

[blackguy69]

I believe Mary said that they were working the circuit around the time band of gold hit. Hey Ran if you haven’t seen it yet, check out what’s in my bag on you tube featuring Mary, Freda, and Linda Clifford

[Boogiedown]

I just looked at the list of number one hot 100 hits for 1973. "Slow Days" is a much better song IMO than some of the cuts that topped the charts. .
With that one change this song would've been on better footing.

[RanRan79]

I believe Mary said that they were working the circuit around the time band of gold hit. Hey Ran if you haven’t seen it yet, check out what’s in my bag on you tube featuring Mary, Freda, and Linda Clifford

Thanks BG!

[kje71]

The session that I have doesn’t have a lead vocal with Mary, it does however have Stevie’s original demo vocal. Also have the “I’ll Wait A Lifetime” demo

[thanxal]

Not going to get into what couldda, shouldda, wouldda, but I really like this song and am very glad to hear it with such clarity. Thank you very much for finding it and posting it.

[Weslley Francisco]

The session that I have doesn’t have a lead vocal with Mary, it does however have Stevie’s original demo vocal. Also have the “I’ll Wait A Lifetime” demo

Can you upload the "I'll Wait A Lifetime" demo? Please!

[midnightman]

The Stevie Wonder sessions would've been better had it not been known that Jean wanted to LEAVE the Supremes at that moment. Also, these attacks on Lynda are OUT THERE. Like wasn't it suggested BY Stevie to put Lynda in the group after Cindy was on maternity leave? Also how come people write about how Lynda was a problem when Mary wrote in her second memoirs that it was JEAN that was the problem child???

Kinda weird how people see what they wanna see. Are people who are claiming to be Mary supporters just gonna forget that she and Jean butted heads?

But anyway, I know a Supremes/Stevie Wonder album would've been INCREDIBLE!

[marv2]

The Stevie Wonder sessions would've been better had it not been known that Jean wanted to LEAVE the Supremes at that moment. Also, these attacks on Lynda are OUT THERE. Like wasn't it suggested BY Stevie to put Lynda in the group after Cindy was on maternity leave? Also how come people write about how Lynda was a problem when Mary wrote in her second memoirs that it was JEAN that was the problem child???

Kinda weird how people see what they wanna see. Are people who are claiming to be Mary supporters just gonna forget that she and Jean butted heads?

But anyway, I know a Supremes/Stevie Wonder album would've been INCREDIBLE!

No, Stevie did not suggest that Lynda be put into the group. They auditioned Sundray Tucker her sister first and then decided on Linda Tucker instead. Stevie did however suggest Susaye Greene to Pedro Ferrer as a replacement for Cindy Birdsong several years later. I just know the facts.

[RanRan79]

Kinda weird how people see what they wanna see. Are people who are claiming to be Mary supporters just gonna forget that she and Jean butted heads?


Easy answer: yes.

[RanRan79]

i don’t care for Top Of The World at all, but it’s a better produced record, has a proven sound that was already a radio staple and a melody that you could hum or singalong with if you like that sort of thing. This Supremes track seems raw and in need of a re-write before a new demo is warranted. This didn’t work, which is why I’m sure they bailed on it.

I think they bailed on it because the entire project was shelved. It's my understanding the album was never completed after Motown bailed on "Bad Weather" and Stevie decided to cut his losses. "Soft Days" sounds like a demo to me. Who knows what the finished product would have sounded.

[daviddh]

first a lot of groups were having trouble in the 70s and year after year as contracts were up for renewal , artists jumped ship.
the problem., that I was aware of was Jean and Mary. Mary being the last original member wanted more leads, and in a way I can see her point, but obviously ,she was not ready. she did not prep herself for the lead spot, but she should have.imo.
but Jean was very capable of handling the lead but I don't think she cared for being told what to do. they butted heads .
by 1973, things were strainded and I remember them being offered a deal elsewhere and Mary backed out. I think it was same label the 4 tops jumped onto. I think when MW backed out of the deal Jean and Lynda both had enough
thanks for posting the song.beautiful

[midnightman]

Bad Weather flopping definitely didn't help matters... despite the great reception on Soul Train.

[blackguy69]

first a lot of groups were having trouble in the 70s and year after year as contracts were up for renewal , artists jumped ship.
the problem., that I was aware of was Jean and Mary. Mary being the last original member wanted more leads, and in a way I can see her point, but obviously ,she was not ready. she did not prep herself for the lead spot, but she should have.imo.
but Jean was very capable of handling the lead but I don't think she cared for being told what to do. they butted heads .
by 1973, things were strainded and I remember them being offered a deal elsewhere and Mary backed out. I think it was same label the 4 tops jumped onto. I think when MW backed out of the deal Jean and Lynda both had enough
thanks for posting the song.beautiful
Not quite. ABC showed a great interest but I don’t think a deal was on the table. They had concerns with jean as well. Also Mary knew that if she left Motown, the name would stay something she would not risk but jean and Lynda would

[kje71]

Can you upload the "I'll Wait A Lifetime" demo? Please!
Been working on a mix for this, a bit longer of a song

[longtimefan]

Been working on a mix for this, a bit longer of a song
Wonderful! Prayerfully, it will also be in MP3 format for less technologically adept SDF friends. Thank you in advance!!!

[blkfrost]

Produced by Stevie Wonder, never released. Know a few bootlegs have been going around but was able to get hold of the session and make a mix of the song. Cut it down just a little, take a listen

https://soundcloud.com/imaginationmix/the-supremes-soft-days-demo-mix

This is very nice. Thank you for posting. I have a copy this fades in the middle of the song for a few seconds. It would be great to be able to get a clean copy.

[marv2]

I first heard this song 11 years ago. I liked it immediately and played it about 5 times back to back at first.

[sup_fan]

I don't know if it would have been a top A side for a single. but an excellent album track. perhaps it could have worked as a subsequent single from a stevie album. or a strong b side. but all 3 Stevie tracks are strong. not perfect but strong. as i've said on other threads, i think these recordings are very much Jean songs, not a group song. it's jean and background vocals. But i realize things are incomplete and so who knows what might have evolved. but the sound and direction is exciting and IMO would have been a great new sound for the girls. maybe it might have been strong enough to return them to better footing in the pop world. maybe would have reversed some of the slip they'd witnessed in 72

[marv2]

I wonder. If a Stevie Wonder produced album would have included their cover version of "Love Train" that was produced around the same time by Frank Wilson?

[sup_fan]

I wonder. If a Stevie Wonder produced album would have included their cover version of "Love Train" that was produced around the same time by Frank Wilson?

I would hope not. not that I dislike there version of the song but I did dislike the random 1-off tracks on some of their lps. like Time and Love. I would have preferred a full album by Stevie, like Floy Joy

[RanRan79]

I wonder. If a Stevie Wonder produced album would have included their cover version of "Love Train" that was produced around the same time by Frank Wilson?

I wonder if the Supremes would've gotten "Until You Come Back to Me" instead of Aretha.

[midnightman]

I can't imagine the Supremes doing that song...