robb_k
10-24-2014, 12:36 AM
I was cruising You-Tube, when I ran across this.
https://www.youtube.com/watch?feature=player_detailpage&v=BeFAo4gK1D0
WOW! Right up my alley! Classic Chicago 1964! It could have been a fantastic 1964 Chicago recording. What a well-written song! It's very sweet. It's neither made for the gruff and Bluesy Etta James lead, nor the fairly weak group behind her. And the instrumental is weak, too, where are the drums, percussion? Strings have the right idea, in the main, but go the wrong way in a couple places. The call-response of the lead and coordination with the background group could be better. The background group should be much stronger. The arranger didn't emphasize the nice changes correctly.
Too bad. I can hear, in my mind's ear, a fabulous recording. It would have been one of my favourite styles. And if done correctly, would have resulted in one of my all-time favourite recordings.
Etta did okay with it. But, it would have been a lot better, if it had been recorded at Universal Sound Studios, [[1) produced by Calvin Carter , arranged by Riley Hampton, and sung by Barbara Green backed by The Dells; or, [[2), it would also have worked well in 1965, produced by Carl Davis, arranged by Sonny Sanders, and sung by Mary Wells, backed by Billy Butler and The Chanters. Or [[3), I'd even have settled for Leo Austell producing, Burgess Gardner arranging and Betty Everett on lead, with The Daylighters backing her up!
Anyone know who wrote that terrific song, and what company originally published it?
https://www.youtube.com/watch?feature=player_detailpage&v=BeFAo4gK1D0
WOW! Right up my alley! Classic Chicago 1964! It could have been a fantastic 1964 Chicago recording. What a well-written song! It's very sweet. It's neither made for the gruff and Bluesy Etta James lead, nor the fairly weak group behind her. And the instrumental is weak, too, where are the drums, percussion? Strings have the right idea, in the main, but go the wrong way in a couple places. The call-response of the lead and coordination with the background group could be better. The background group should be much stronger. The arranger didn't emphasize the nice changes correctly.
Too bad. I can hear, in my mind's ear, a fabulous recording. It would have been one of my favourite styles. And if done correctly, would have resulted in one of my all-time favourite recordings.
Etta did okay with it. But, it would have been a lot better, if it had been recorded at Universal Sound Studios, [[1) produced by Calvin Carter , arranged by Riley Hampton, and sung by Barbara Green backed by The Dells; or, [[2), it would also have worked well in 1965, produced by Carl Davis, arranged by Sonny Sanders, and sung by Mary Wells, backed by Billy Butler and The Chanters. Or [[3), I'd even have settled for Leo Austell producing, Burgess Gardner arranging and Betty Everett on lead, with The Daylighters backing her up!
Anyone know who wrote that terrific song, and what company originally published it?