The lawyer in me almost always comes down where Paul Nixon came down; there's the way the case would fall if we are being realistic as lawyers.

I have to say when I read the Ross Holloway style arguments, I'm nearly convinced.

So few of the legal cases against Motown were successful; basically most of the artists, producers, and writers never really signed on for a lot of money and spent everything they got......sadly, factually, there's never been much there to be successful with; I don't think that is popular but I believe it to be true.