Forgot about "Housequake"!
I call EU "go-go" music, a genre that was popular particularly in the D.C. area in the 70s and 80s. It was given nationwide exposure primarily by bands like Chuck Brown & The Soul Searchers [["We The People", "Bustin' Loose"). By the time The Time came out with the "Pandemonium" album, I had given up on them. They just aren't the same without Jimmy Jam & Terry Lewis. I don't even recall if Jesse Johnson was on that album.
The complete and original Time-lineup was still together on that album, hence for Jesse getting expanded exposure to cut his axx on jams such as "Blondie" and "Skillett", or Morris nodding to Jesse to "cut it" during the breakdown of "Jerk Out". All that and more with Jam & Lewis on the ride with interviews, shows on Saturday Night Live, Arsenio Hall, plus a brief tour in Europe and Japan.
Cameo went briefly into the new wave-rock direction with tracks like "Alligator Woman", "Secrets Of Time", "This Life Is Not For Me", "Style", "Cameo's Dance", "Let's Not Talk Slot" and "L'eve Toi", before redirecting their formula with a customized and industrial beat in tracks such as "Single Life", "Word Up" and "Candy".
Let's see now: Atomic Dog by George Clinton, Dance Floor by Zapp, Early in The Morning by the Gap Band, Juicy Fruit by Mtume, Cold Blooded by Rick James. And those are just the number one hits. I didn't get into the Funk jams were rocked in the clubs that didn't hit the top ten. Please keep in mind that Funk wasn't just a genre. It was an musical outgrowth of Black experience. As long as the experience is alive, the music produced from that experience will live as well.
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