Originally Posted by
sup_fan
agree
by 1980, motown was pretty much "oldies." sure there were still some current hit-makers but when you said "motown", people mostly meant the years of 64 - 67. similar to what would become the Big Chill soundtrack. that would also mean that a lot of the 70s music started to slip away from the broader public consciousness. the 70s sups. the four tops and their wonderful Still Water album. Thelma houston, the undisputed truth, etc.
Mary wilson really didn't have a long-term image based solely on her 60s role, much because the group was repositioned as "DIANA ROSS and..." So yeah. by the time a solo album was released, no one cared. and it was a solo album that was frankly ill-conceived. none of the material is of a quality that warranted anything significant and pretty much none of the material was really in her wheelhouse.
i'm assuming that in 1973 when J and L left, mary had to at least give SOME thought to a solo career and possibly not at motown. if another label had expressed serious interest in her as a solo artist, i'd have to think she would have instantly left the label. same in 1977/78. i don't know if no other label was interested or if things couldn't be worked out, but obviously nothing else happened. and then in 1980 after she was released, nothing happened. and then after Dreamgirl was published, nothing happened. there frankly just wasn't a market for a Mary Wilson product, outside of a small and loyal fan base. so a revised product of "mary wilson who was undermined by Diana Ross" was released and that seemed to click to some degree
Bookmarks