I think Motown was always promoting them because he knew she had something. They had a lot of records that did nothing, but he kept on. And let’s face it, WDOLG wasn’t even #1 yet before he flew them home to record follow ups. Baby Love hadn’t hit yet and they already were doing Liverpool.
‘’Actually, Motown had two successful albums in 1963. Released in May, Stevie went to #1, released in early January, Queen Mary to #49. By fall of ‘63, I think Heat Wave should have done better and, it turns out, it was an indication of the general appeal of Marthas voice because she’d never have a hit studio album - despite hit singles on them. Watch Out! Was a big disappointment with two top tens at the height of their popularity. The following fall, their live album was a bomb, outsold even by Jr Walker.
As for Marthas stage abilities, it’s all opinion. Please send me a link to one engaging performance on tv before Mike Douglas in 69. I love Martha, and prefer her to Mary, but she didn’t have it to go big and many tried.
When I saw the Motown 40 documentary, they said Mary & the Marvelettes were "too rock and roll" for what they were trying to achieve [[I know a few Marvelettes talked about how when they took the stage, they used to "sweat it up" and there were photos that showed it).
But I love that clip of Mary performing Bye Bye Baby, she was one hell of a performer.
Yeah, all of them were "diamonds in the rough" as Maxine called them.
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