Originally Posted by
Philles/Motown Gary
Really, sup_fan? That surprises me. In my opinion, at the time, Diana, Mary, & Flo always looked and dressed a notch above the other Motown girl groups [[whereas The Vandellas & The Marvelettes looked and dressed a notch above other non-Motown girl groups). When Flo left and Cindy entered in 1967, however, Motown glammed up ALL of the Motown female acts, especially Diana Ross & The Supremes. In my eyes, Diana, Mary & Flo’s pre-1967 gowns, which once seemed elegant and a notch above the others, now seemed somewhat plain compared to Diana, Mary & Cindy’s gowns. I don’t remember DM&C ever reverting back to the pre-1967 gowns. [[Well, there is one exception – the dresses on the top center of the Reflections LP cover where the girls are wearing cheap-looking black dresses with white vertical stripes always seemed kind of hokey and plain for DM&C – very pre-1967, if you will.
I’ve gotta admit, I don’t know diddly-squat about the gowns like some of you guys do. When you describe the "chandelier" gowns and other such creations, I don’t know what the heck you’re referring to nor what material they’re made of. I just know that, although the music comes first for me, I do love and appreciate the overall look and elegance of Motown’s mid-to-late '60's girl groups -- especially post-'67. I’m most impressed by things like The Supremes’ "TCB" green swirl gowns; The Supremes’ black and white gowns and pumps worn in the unused segment of "GIT On Broadway" [[which looked way too gorgeous to leave out of any broadcast); Martha Reeves & The Vandellas’ "Sugar & Spice" LP gowns, and The Marvelettes’ "Sophisticated Soul" gowns. Motown had the class and the financial muscle to pull it all off like nobody else. THAT I know for sure.
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